It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 21, 2015, 10:20 AM
http://www.btlnews.com/crafts/visual-fx/ves-summit...
As if to literally denote it was scaling new heights, this year’s VES Summit was once again held at the W Hotel in Hollywood, but this time, on the roof. Or rather, in the lounge area on the top floor, just adjacent to the rooftop pool. The two groups – those immersed in water and lotion, and those immersed in discourse about immersive experiences) – finally joined at sunset, as the Visual Effects Society sponsored a round of cocktails. The post VES Summit Tackles the Infinity of the ...
October 21, 2015, 10:20 AM
http://www.postmagazine.com/Press-Center/Daily-New...
VENICE BEACH, CA — Siren Lab Productions (http://sirenlab.com) recently launched, following a five-month collaboration with director Cary Joji Fukunaga (True Detective) on his Netflix original film, Beasts of No Nation, starring Idris Elba. The creative VFX studio is led by veteran VFX supervisor/Flame artist Karen Heston, who collaborated with Fukunaga by overseeing and producing the majority of the film’s VFX shots.
October 21, 2015, 04:58 AM
http://www.provideocoalition.com/ghosts-holograms-...
Not all videos are destined to be broadcast on TV, or even viewed on a computer screen. While building projections have continued to get bigger, brighter and bolder there are many other options for capturing the interest of the general public. Here are three case studies of video productions where the clients have gone beyond simply producing big videos, and have used other techniques to create an immersive experience for the viewer.
October 20, 2015, 04:14 PM
http://cinefex.com/blog/goosebumps/
In 1992, author R.L. Stine published Goosebumps: Welcome to Dead House, a children’s book in which a houseful of zombies causes chaos in the small American town of Dark Falls. Five years later, the Goosebumps series ran to over sixty books, with individual volumes selling millions of copies every month and regularly appearing on bestseller lists.
October 20, 2015, 12:34 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Bicoastal creative studio Carbon VFX (www.carbonvfx.com) has added to its LA roster, welcoming Matt McManus as executive producer. He spent the last six years heading up his own Los Angeles-based digital VFX/post production company, Kilt Studios, which worked on campaigns for Under Armour, Coors, 2K Sports, and DirecTV. Carbon is a full-service creative studio, specializing in visual effects, motion graphics, and design.
October 20, 2015, 09:22 AM
http://www.premiumbeat.com/blog/vfx-didnt-realize-...
You can't always believe your eyes. VFX isn't always made-up monsters and otherworldly landscapes. Sometimes the best VFX executions are so subtle that they're invisible.
October 20, 2015, 09:21 AM
http://www.cgmeetup.net/home/terminator-genisys-be...
Terminator Genisys VFX Breakdown – Final Battle (2015) Arnold Schwarzenegger Sci-Fi Action Movie.
October 20, 2015, 09:21 AM
http://www.cgmeetup.net/home/the-wave-vfx-breakdow...
Take a look at some of the effects did on the norwegian hit movie “Bolgen”.
October 20, 2015, 05:21 AM
http://www.artofvfx.com/the-wave-bolgen-vfx-breakd...
Really nice VFX breakdown by gimpVille featuring tons of simulations for THE WAVE (BOLGEN)...
October 19, 2015, 09:46 AM
http://www.artofvfx.com/everest-dadi-einarsson-vfx...
During his last visit, Dadi Einarsson talked to us about his work on CONTRABAND. He then worked on films such as THE DEEP, BOARDWALK EMPIRE and GRAVITY. Framestore Reykjavik also became independant and is now called RVX.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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