It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 18, 2015, 07:28 AM
http://www.artofvfx.com/interviews-week-42/?utm_so...
Here is the recap of my interviews of the week #42. So you won’t miss any of them.
October 18, 2015, 07:28 AM
http://www.hollywoodreporter.com/behind-screen/ves...
The emerging virtual reality arena "could be the saving grace" of Hollywood’s struggling visual effects community, asserted Andrew Cochrane, interactive and new media director at Guillermo del Toro's Mirada Studios, during the Visual Effects Society Production Summit on Saturday at the W Hollywood.
October 17, 2015, 03:25 PM
http://www.hollywoodreporter.com/behind-screen/ves...
"There are too make layers between me and the VFX artists," said the writer-producer-director.
October 16, 2015, 08:40 AM
http://www.thecredits.org/2015/10/goosebumps-vfx-s...
Rather than choose one book from the phenomenally successful “Goosebumps” series to adapt, the film stars Jack Black as author R.L. Stine in a meta-story that sees all the best Goosebumps creatures come out of the woodwork. Visual effects supervisor Erik Nordby tells The Credits how they tackled this rather daunting task.
October 15, 2015, 09:29 AM
http://www.artofvfx.com/the-martian-neil-weatherle...
Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.
October 15, 2015, 05:00 AM
http://www.artofvfx.com/au-service-de-la-france-ma...
Machine Molle have just released a making of about their VFX work for the Arte TV serie, AU SERVICE DE LA FRANCE...
October 15, 2015, 04:59 AM
http://www.fxguide.com/featured/step-by-step-a-wal...
Here’s how Atomic Fiction, led by visual effects supervisor Kevin Baillie, reproduced Philippe Petit's daring high-wire act between the Twin Towers of the World Trade Center on August 7th, 1974 for Robert Zemeckis’ The Walk.
October 14, 2015, 04:19 PM
http://postperspective.com/list-vfx-tightrope-walk...
Visual effects supervisor Kevin Baillie talks about working with Robert Zemeckis on the director’s latest By Iain Blair Oscar-winner Bob Zemeckis has always been at the cutting edge of technology, and highly skilled at integrating that technology in the service of telling stories in such films as Forrest Gump, Back to the Future, Who Framed Roger Rabbit?, The Polar Express, Beowulf and Flight. Now, in The Walk, he’s putting moviegoers in the shoes of Philippe Petit, the French aeriali...
October 14, 2015, 09:09 AM
http://www.artofvfx.com/the-martian-richard-stamme...
In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.
October 13, 2015, 12:23 PM
http://www.redsharknews.com/post/item/2950-rampant...
Sometimes, the simplest solution is best, which is why we like Rampant Design's new Motion Graphics for Editors Version 2. RampantMotion graphicsEditingMotion Graphics for EditorsDrag and dropEffectsQuicktime effects
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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