It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 7, 2015, 09:31 AM
http://www.waterline.tv/index.html
waterline magazine "Scripting with RealFlow" is free a PDF with almost 100 pages. The introduction to Python teaches you how to work with vectors, use RealFlow's scripting editors, differentiate between variables and data types, and create user interfaces.
October 7, 2015, 09:28 AM
http://www.artofvfx.com/maze-runner-scorch-trial-p...
Pavani Rao began his career in visual effects in 2005 at The Orphanage. He then joins Rhythm & Hues and work on many films such as THE GOLDEN COMPASS or THE INCREDIBLE HULK. In 2009 he moved to Weta Digital to work on AVATAR. He then worked on RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and the HOBBIT trilogy.
October 7, 2015, 09:28 AM
https://www.rocketstock.com/blog/vfx-breakdowns-fr...
The summer blockbusters of 2015 were some of the most financially successful films of all time. Here is a look at the VFX studios that created some of the amazing sequences.
October 6, 2015, 05:20 AM
https://library.creativecow.net/jack_bracer/perfec...
High-quality green screen footage is a luxury that many of us will never have. Your quest for perfect chroma keys from awful green screen footage is nearing its happy conclusion as Bracer Jack shows you exactly how to achieve success using only the tools built into Adobe After Effects.
October 5, 2015, 04:38 PM
http://cinefex.com/blog/walk-cinefex-143-extract/
It’s time for another peek into our latest magazine issue, Cinefex 143. Today we’re taking you behind the scenes on one of the tallest tales of the year – The Walk, which chronicles the extraordinary true story of Philippe Petit’s spectacular wire-walk between the twin towers of the World Trade Center.
October 5, 2015, 09:22 AM
http://www.macrumors.com/2015/10/05/adobe-backpeda...
At WWDC 2015, Adobe director of engineering David McGavran demonstrated After Effects and Illustrator on Mac integrated with Metal, Apple's new high-performance graphical acceleration API on OS X El Capitan. At the end of the demo, he said that Adobe is committed to bringing Metal to multiple Creative Cloud apps on Mac.
October 5, 2015, 04:46 AM
http://www.fxguide.com/featured/life-on-mars-the-v...
On Ridley Scott’s 2012 space adventure, Prometheus, the visual effects team had a post schedule of 34 weeks. By contrast, the director’s newest film with a space theme, The Martian, had only 24 weeks for post after the film’s original release date was brought forward.
October 5, 2015, 04:45 AM
http://www.cgmeetup.net/home/evangelion-another-im...
Kei Yoneoka – This movie demonstrates how I made destruction FX in the short movie “evangelion:Another Impact (Confidential)” which is one of the stories in “nihon animator mihonichi”. Kei Yoneoka was responsible for building procedural destruction setting for those massive destruction. Thinking Particles and Fume FX are mainly used.
October 4, 2015, 05:29 AM
http://behindvfx.com/post/130424912630/behind-vfx-...
Behind VFX ACCESS - The Making of THE MARTIAN
October 3, 2015, 06:23 AM
http://postperspective.com/view-conference-feature...
The 16th annual VIEW Conference, which takes place on October 16-18 in Turin, Italy. The conference focuses on the latest news and trends relating to computer graphics, interactive techniques, digital cinema, 2D/3D animation, gaming and VFX. Speaking of VFX, ILM will present two special sessions during this year’s event. The first ILM session is called “40 Years of Creating the Impossible” on October 21. It focuses on how ILM has created some of the most memorable images in the histo...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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