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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Semi-Permanent Sydney 2018 (2018)

February 11, 2019, 11:42 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

Over a few days every year Semi-Permanent is a pixel-pumping, creativity-boosting, and future-making series of events taking place in Sydney, Australia, and beyond.The festival was founded in 2003 by Murray Bell and Andrew Johnstone. Every year since its inception a designer (or design team) has been invited to create an opening title sequence to launch the festivities. For Sydney’s 2018 edition, an electrifying magenta-and-indigo sequence kicked things off, giving fans and attendees ...

Transcript: Digital Production Buzz – February 7

February 9, 2019, 02:31 PM

https://www.digitalproductionbuzz.com/2019/02/tran...

HOST Larry Jordan GUESTS Chris Brown, Exec. VP, Conventions & Business Operations, National Association of Broadcasters Barbara Griffith, President, SCL Equipment Finance Marius Ciocirlan, Co-Founder/CEO, ShareGrid René Morch, Product Manager, DPA Microphones James DeRuvo, Editor-in-Chief, doddleNEWS == Larry Jordan: Tonight, on the Buzz, we are introducing a new segment, called NAB Insight; where we got behind the scenes and talk with the folks who are staging, or presenting at ou...

Sundance 2019: Animals editor and DP Bryan Mason

February 7, 2019, 12:41 PM

https://www.youtube.com/watch?v=g9SJVzz0_Nw

Bryan Mason played a dual role on Sophie Hyde's Animals. As cinematographer and editor, Mason shares his interesting perspective on the film. Video Post Production : Courtesy of Frame of Reference

Adobe and Avid need to support iXML metadata for a

February 7, 2019, 12:41 PM

https://www.provideocoalition.com/adobe-and-avid-n...

This post is just a gentle public shaming for my friends over at Avid and Adobe. They are behind the engineering times when it comes to what is one of the most useful bits of metadata that can come from the shoot: iXML metadata set by the audio recorder that identifies audio channel names. (What is iXML and this metadata for WAV audio files? Try here and here for some technical understanding).

Sundance: Watch our editor interviews

February 7, 2019, 12:41 PM

https://postperspective.com/sundance-our-video-int...

postPerspective traveled to Sundance for the first time this year, and it was great. In addition to attending some parties, brunches and panels, we had the opportunity to interview a number of editors who were in Park City to help promote their various projects. We caught up with the editors on the comedy docu-series Documentary Now! Continue reading → February 7, 2019 The post Sundance: Watch our editor interviews appeared first on Randi Altman's postPerspective.

Post veterans launch 'Made' in San Francisco

February 6, 2019, 11:37 AM

http://www.postmagazine.com/Press-Center/Daily-New...

SAN FRANCISCO — Made-SF (www.made-sf.com) is a new creative studio offering a range of post production services in San Francisco. Executive producer Jon Ettinger, editor/director Doug Walker, and editors Brian Lagerhausen and Connor McDonald, all formerly of Beast Editorial, are partners in the new venture, which aims to provide agencies and brands with flexible, streamlined solutions for producing advertising and other content. Along with creative editorial, the company will provide motio...

Red Giant Universe 3.0

February 6, 2019, 11:36 AM

https://www.cinema5d.com/red-giant-universe-3/

Red Giant Universe 3.0 was released recently. It boasts a new dockable Dashboard that makes it simple to explore and apply effects and presets in Adobe Premiere Pro and After Effects. It also brings five new text generation effects, presets for every tool, and the option to save customized presets.

SUNDOWNERS DRINKS – SYDNEY

February 5, 2019, 07:31 AM

https://www.screeneditors.com.au/sundowners-drinks...

JOIN US FOR THE FIRST SUNDOWNERS FOR 2019! Sunday Feb 17th, 3-6pm Courthouse Hotel, 202 Australia Street, Newtown To make sure we reserve enough tables please RSVP to:   rsvp@screeneditors.com.au (Or just rock up on the day!) You'll find us near the red balloons!

Need to Transcribe your Media? Simon Says A.I. Giv

February 5, 2019, 07:31 AM

http://www.avidblogs.com/need-to-transcribe-your-m...

The post Need to Transcribe your Media? Simon Says A.I. Gives Editors the Gift of Time. appeared first on Avid Blogs.

Glass – Editing an Unconventional Trilogy

February 5, 2019, 07:30 AM

https://digitalfilms.wordpress.com/2019/02/04/glas...

Writer/director M. Night Shyamalan has become synonymous with films about the supernatural that end with a twist. He first gained broad attention with The Sixth Sense and in the two decades since, has written, produced, and directed a range of large and small films. In recent years, he has taken a more independent route to […]

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