It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 25, 2015, 06:26 PM
http://www.artofvfx.com/?p=11191
The team of Day for Night composed by Frank Kaminski (Producer & VFX Supervisor), Marco Del Bianco (Producer & VFX Supervisor), Marwin Wanek (VFX Lead artist), Eva Wendler (VFX Producer) and Christoph Willerscheidt (VFX Artist) explains their work on NORTHMEN – A VIKING SAGA:
February 25, 2015, 02:11 PM
http://www.animationinsider.com/2015/02/25-years-o...
It all started from 1987 when the developer Thomas Knoll created a very simple pixel imaging program called Display. It was displaying gray scale photos on a black and white monitor. His brother John Knoll was supervisor at ILM (Industrial Light and Magic). The other digital artists were impressed at the post production facility of George Lucas with Display and eventually it was used into James Cameron‘s The Abyss. Later on Knoll brothers renamed it to Photoshop.
February 25, 2015, 05:45 AM
http://www.hollywoodreporter.com/behind-screen/vfx...
Birdman, Alejandro Gonzalez Inarritu's best picture Oscar winner, has been widely praised for looking as if the entire 119-minute movie was shot in one uninterrupted take — an inventive feat that earned it four Oscars, including best direction and cinematography for its director of photography Emmanuel Lubezki.
February 24, 2015, 10:41 AM
http://cinefex.com/blog/inspiring-ilm/
What drives people to work in the visual effects industry? The glamour? The technology? All those ravening monsters and exploding spaceships? Or is it just another job? In an ongoing series of articles, we ask a wide range of VFX professionals the simple question: “Who or what inspired you to get into visual effects?”
February 23, 2015, 09:38 AM
http://www.cgmeetup.net/home/jupiter-ascending-vfx...
Watch Vfx Breakdown of Jupiter Ascending by Method Studios. Method were involved from the earliest stages of concept through to finishing the last details which was tremendously helpful for the continuity of design. They produced some exquisite work bringing some of our worlds and characters to life.
February 23, 2015, 06:03 AM
http://cinefex.com/blog/interstellar-wins-vfx-osca...
Christopher Nolan’s space epic Interstellar has won the Academy Award for Best Visual Effects at the 87th Academy Awards, in a glittering ceremony held at the Dolby Theatre, Hollywood and Highland Center on February 22, 2015.
February 23, 2015, 06:02 AM
http://www.cinemablend.com/new/Why-Academy-Needs-S...
It’s official: Interstellar has taken the 2014 Academy Award for Best Visual Effects. Featuring impressive space travel and a whole lot of other eye-candy surprises (no spoilers here), it’s certainly understandable why it earned a nomination.
February 23, 2015, 06:01 AM
http://www.hollywoodreporter.com/behind-screen/osc...
“Chris Nolan really wanted us to ground the movie in a very realistic, very humanistic story, and so we're going to the far end of the universe but he always constantly emphasized that we wanted to make sure that we brought humanity with us," Ian Hunter said.
February 23, 2015, 05:59 AM
http://fxrant.blogspot.ca/2015/02/interstellar-win...
Congratulations to the entire visual effects team behind "Interstellar", the winner of the visual effects Oscar in the 87th Academy Awards.
February 23, 2015, 05:57 AM
http://www.artofvfx.com/?p=11158
The 2015 Oscars winners have been announced yesterday night.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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