It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 19, 2015, 06:35 AM
http://www.3dvf.com/actualite-12243-siggraph-2015-...
SIGGRAPH 2015 will be held from August 9 to 13 in Los Angeles. The international conference will be an annual opportunity for 3D sector companies to showcase their latest innovations.
February 18, 2015, 01:35 PM
http://www.studiodaily.com/2015/02/agent-carter-cr...
Wired and fxguide.com show off ILM's work for television in this quick collection of VFX breakdowns on the ABC TV series Agent Carter. The post Agent Carter: Creating Movie Effects on a TV Schedule appeared first on Studio Daily.
February 18, 2015, 01:34 PM
http://www.studiodaily.com/2015/02/framestores-gra...
Framestore in New York designed imaginative but sober graphics to communicate the environmental effects of industry on the world's oceans for the Netflix-exclusive film Mission Blue. Cinema 4D maker Maxon and writer Meleah Maynard offered StudioDaily a behind-the-scenes look at the … more » The post How Framestore’s Imagery Boosted Ocean-Ecology Doc Mission Blue appeared first on Studio Daily.
February 17, 2015, 10:49 AM
http://www.artofvfx.com/?p=11082
Christian Irles is working in visual effects for over 12 years. He worked at various studios such as Klon Films, Cinesite or MPC. His filmography includes films like POSEIDON, CLASH OF THE TITANS, JOHN CARTER or MAN OF STEEL.
February 16, 2015, 05:33 PM
http://www.hitfix.com/in-contention/best-visual-ef...
HitFix takes a look at a Best Visual Effects Oscar race that once seemed a foregone conclusion but now feels like it could be a real race.
February 16, 2015, 02:20 PM
http://postperspective.com/rampant-offering-hundre...
Rampant Design is making hundreds of Rampant 4K drag-and-drop style effects for editors, VFX and motion graphics artists… free of charge. As part of its new 4K education initiative, called 4KFree.com, Rampant’s founders Sean and Stefanie Mullen are hoping to show the community just how easy it is to create highly-styled effects for video in 4K. By providing entire libraries of style effects deployed by dragging and dropping onto a timeline, Rampant Design is offering an easy and cost e...
February 16, 2015, 10:44 AM
http://www.premiumbeat.com/blog/25-inspirational-h...
Go behind-the-scenes with these amazing Hollywood VFX breakdowns. The post 25 Inspirational VFX Breakdowns from Hollywood appeared first on The Beat: A Blog by PremiumBeat.
February 13, 2015, 05:41 AM
http://www.redsharknews.com/post/item/2364-oscar-n...
X-Men: Days of Future Past holds a very special distinction for its franchise: it is the first X-Men film nominated for the Academy Award in Best Visual Effects. Here we celebrate the film by sharing two illuminating and visually sumptuous VFX breakdowns. Oscars 2015Academy AwardsVisual EffectsVFXMPCDigital DomainRising Sun PicturesObjects, IncRichard StammersLou PecoraTim CrosbieCameron Waldbauer
February 12, 2015, 02:45 PM
http://www.studiodaily.com/2015/02/marvel-studios-...
In Captain America: The Winter Soldier the super WWII soldier Steve Rogers finds himself in a modern-day political thriller, a suspenseful visual-effects laden action-adventure that won praise from critics and Avengers fans alike. Rogers, aka Captain America, now works for … more » The post VFX Supe Dan DeLeeuw on Captain America: The Winter Soldier appeared first on Studio Daily.
February 11, 2015, 10:30 AM
http://www.studiodaily.com/2015/02/oscar-nominated...
On Sunday, Interstellar won the BAFTA award for best visual effects, an award presented fittingly as it turned out by Dr. Stephen Hawking. Hawking’s long-time friend Dr. Kip Thorne, a renowned astrophysicist famous for his work on black holes and … more » The post Oscar-Nominated VFX Supervisor Paul J. Franklin on Interstellar appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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