It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 5, 2015, 03:37 PM
http://www.hollywoodreporter.com/behind-screen/osc...
So long, L.A.! Foreign-based visual effects houses are responsible for four of the five nominees, from 'Guardians of the Galaxy' to 'Interstellar,' as much of the business has fled the city...
February 5, 2015, 03:37 PM
http://www.btlnews.com/awards/visual-effects-socie...
You probably already know that Big Hero 6 and the latest Planet of Apes did surprisingly well. Does this indicate an upset in the best animated film and best visual effects categories on Oscar night? Will the latest How to Train Your Dragon, or Christopher Nolan’s Interstellar be left behind if VES serves as an augury in how Tinsel Town is assessing the worthiness VFX?
February 5, 2015, 03:35 PM
http://collider.com/ves-awards-2015-dawn-of-the-pl...
Dawn of the Planet of the Apes was awarded outstanding visual effects in a live-action feature at last night's Visual Effects Society Awards.
February 5, 2015, 03:34 PM
http://soundandpicture.com/2015/02/13th-annual-ves...
The Visual Effects Society celebrated their 13th Annual VES Awards last night which recognize outstanding visual effects work in animation, film, television, video games, commercials, and special venues...
February 5, 2015, 09:48 AM
http://www.3dvf.com/actualite-12089--george-lucas-...
o mark the Sundance Film Festival 2015, George Lucas and Robert Redford took part in a panel discussion entitled "Power of Story: Visions of Independence", moderated by critic Leonard Maltin cinema. exchange The video is available below below...
February 4, 2015, 09:12 PM
http://www.ssninsider.com/awards-2015-vfx-supervis...
Awards 2015: VFX Supervisor Paul Franklin, Rep Moves For 2/4/15, FCC Chair Proposes Net Neutrality Plan, Universal Sets Jobs Film Release Date, 'John Wick' Sequel In Development
February 4, 2015, 09:12 PM
http://www.animationmagazine.net/events/get-set-fo...
Another big night is here with the Visual Effects Society set to present its awards tonight in a gala black-tie ceremony at the Beverly Hilton Hotel.
February 4, 2015, 12:42 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Creative director Haley Geffen of content creation/production company Bodega (http://bodegastudios.com) teamed up with NBC Sports Group and NBC Sports VP creative director/director Tripp Dixon, and visual effects studio Rodeo FX to create the high-energy open for Super Bowl XLIX. The open features singer Carrie Underwood in a virtual stadium, setting the stage for the matchup between the New England Patriots and the Seattle Seahawks.
February 4, 2015, 06:06 AM
http://www.3dvf.com/actualite-12066-ilm-revient-su...
Ben Snow and Philippe Rebours , VFX supervisor at ILM, have a making-of film effects visuesl Noah , Darren Aronofsky.
February 3, 2015, 10:35 AM
http://cinefex.com/blog/cinefex-awards-2014/
Never mind the Oscars. In the world of visual effects, there’s only one awards ceremony that counts: the Cinefex Awards.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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