It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 3, 2018, 06:41 AM
https://www.provideocoalition.com/art-of-the-cut-w...
There are very few big-time editors who do double duty as legitimate film composers, but in this Art of the Cut, we’ll be talking to one of them: John Ottman, ACE. He performed both of these jobs on The Usual Suspects, X-Men 2, Superman Returns, and Valkyrie.
November 2, 2018, 02:01 PM
https://www.premierebro.com/weekinpr/week-in-premi...
Premiere Pro Week In Review: Typekit is Now Adobe Fonts (14,000+ Fonts for Premiere Pro!) • Meet the Best Computer Builder for Premiere Pro • Sapphire 2019 by Boris FX Now Available • How to Use the New Vector Motion Effect in Premiere Pro
#editing#adobe#premiere pro#premiere#adobe premiereNovember 2, 2018, 12:21 PM
http://www.fcp.co/final-cut-pro/tutorials/2124-str...
We have covered making smaller proxies in Final Cut Pro X and sharing those with a remote editor a few times before. Jordan Smith takes it a stage further and streamlines the workflow into a quick & simple process.
November 2, 2018, 12:21 PM
http://saeditores.org/Novedades/Lautaro-Colace-SAE...
En el marco del 16° Tandil Cine, Lautaro Colace (SAE) recibió el Premio al Mejor Montaje dentro de la categoría Competencia Oficial de Largometrajes, por su trabajo en el documental “Esto no es un golpe”, dirigido por Sergio Wolf.
November 2, 2018, 12:21 PM
http://saeditores.org/Novedades/La-SAE-organizo-el...
El 27 de Octubre último se llevó a cabo el 4to encuentro de Editorxs organizado por la SAE, en la sala Augusto Cortázar de la Biblioteca Nacional.
November 2, 2018, 12:21 PM
http://www.philiphodgetts.com/2018/11/using-techno...
The best apps come from a need: either personal or an obvious industry need.