To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Using Final Cut Pro X With Grass Valley’s K2 in
August 23, 2018, 10:23 AM
http://www.fcp.co/final-cut-pro/articles/2104-usin...
A few years ago, you needed an expensive OB van to cover a live event, even for editing and transmission later. This can now be accomplished on a table top and of course Final Cut Pro's speed helps make it the obvious choice of NLE to get inserts edited for playout. Florian Decker shares his FCPX/K2 workflow on the Globus Marathon in St. Wendel, Germany.
Digging into the dailies workflow for HBO’s Shar
August 22, 2018, 04:19 PM
https://postperspective.com/digging-dailies-workfl...
By Randi Altman If you have been watching HBO’s new series Sharp Objects, you might have some theories about who is murdering teenage girls in a small Missouri town, but at this point they are only theories. Sharp Objects revolves around Amy Adams’ character, Camille, a journalist living in St. Continue reading → August 22, 2018 The post Digging into the dailies workflow for HBO’s Sharp Objects appeared first on Randi Altman's postPerspective.
BlacKkKlansman's editor, Barry Alexander Brown
August 22, 2018, 05:55 AM
https://www.provideocoalition.com/aotc-blackkklans...
Barry Alexander Brown started in film as a director, and his first documentary, The War at Home, was nominated for an Oscar in 1980. He was also nominated for an ACE Eddie for editing Madonna’s Truth or Dare.
Film Editor Barry Alexander Brown on Decades of Wo
August 21, 2018, 04:16 PM
http://www.studiodaily.com/2018/08/film-editor-bar...
BlacKkKlansman, the newest Spike Lee joint, is one of those movies with a plotline that might seem implausible if it weren’t largely based on a true story. It’s about Ron Stallworth (played in the film by John David Washington), an African-American police officer in Colorado Springs who infiltrated the Ku Klux Klan (KKK) in the 1970s. […] The post Film Editor Barry Alexander Brown on Decades of Working with Spike Lee and BlacKkKlansman appeared first on Studio Daily.
Please watch my interview with Kevin Tent
August 21, 2018, 04:16 PM
http://www.bobbieosteen.com/2018/08/please-watch-m...
Fraud - a Film Edited in Final Cut Pro X from a St
August 21, 2018, 07:00 AM
http://www.fcp.co/final-cut-pro/news/2103-fraud-a-...
A 54 minute film made from another person's YouTube channel? How could this be possible? First of all you have to find a channel with lots of content, then you use the power of keyword ranges in Final Cut Pro X.
Apple 2018 MacBook Pro
August 21, 2018, 07:00 AM
https://digitalfilms.wordpress.com/2018/08/20/appl...
July was a good month for Apple power users, with the simultaneous release of Blackmagic Design’s eGPU and a refresh of Apple’s popular MacBook Pro line, including both 13″ and 15″ models. Although these new laptops retain the previous model’s form factor, they gained a bump-up in processors, RAM, and storage capacity. Apple loaned me […]
MSI’s new Intel Core i9 ultra-thin WS65 mobile w
August 20, 2018, 09:29 AM
https://postperspective.com/msis-new-intel-core-i9...
MSI has introduced its new WS65 mobile workstation and announced the availability of its PS42 professional laptop and Optix MAG241C and MAG271C gaming monitors. The WS65 mobile workstation features a chassis similar to that of the GS65 Stealth Thin, with attractive styling and 15.6-inch, ultra-thin bezel display. With up to Intel’s 8th Generation Core i9 processor and up to Nvidia Quadro P4200 graphics, Continue reading → August 20, 2018 The post MSI’s new Intel Core i9 ultra-thin W...
Sequence Duplicate is the Adobe Premiere Pro featu
August 20, 2018, 09:29 AM
https://www.provideocoalition.com/sequence-duplica...
How often have you been working in Adobe Premiere Pro and you duplicated a sequence into a new version only to forget to load that new copy into the timeline? So you continue editing on your old version only to discover the mistake many cuts later?
The Influences of The Wizard of Oz
August 20, 2018, 09:28 AM
https://filmschoolrejects.com/influences-of-the-wi...
The Wizard of Oz, even at 79 years old, somehow seems real and important in a way most films don’t. A big part of this probably has to do with many of us coming to Oz as kids, susceptible and porous to content that speaks the language of archetype and rings with myth.
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