It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 2, 2014, 04:41 AM
http://www.redsharknews.com/technology/item/1811-w...
Weta Digital is at it again! This time, the red-hot VFX house is inventing new ways to overrun the Earth with primates, as evidenced by an illuminating behind the scenes featurette for Dawn of the Planet of the Apes. Weta DigitalPeter JacksonRichard TaylorMatt ReevesDawn of the Planet of the ApesMotion Capture3D cameraVFXCGIJamie Selkirk
July 1, 2014, 01:44 PM
http://cinefex.com/blog/history/
How important is the history of visual effects to the modern VFX professional? In an industry built on innovation and imagination, does anyone really need to remember the past? Who wants to linger in bygone times when there’s a bright, shiny future waiting right around the corner? It’s like the famous playwright George Bernard...
July 1, 2014, 10:35 AM
http://www.cgmeetup.net/home/bottleship-vfx-featur...
We are an independent Dynamic FX boutique based in the creative and cultural heart of one of the old European capitals – Sofia, Bulgaria. Founded and led by distinguished artists Hristo Velev and Martin Naydenski.
July 1, 2014, 10:34 AM
http://www.artofvfx.com/?p=8415
In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.
July 1, 2014, 10:32 AM
http://www.btlnews.com/crafts/visual-fx/milk-deliv...
Celebrating one year in business, London-based VFX house Milk is currently serving as the lead VFX studio for Fox's action-thriller, 24: Live Another Day.
July 1, 2014, 04:42 AM
http://www.3dvf.com/actualite-10048-legato-court-a...
Titiane Lebel, Taiga Ishibashi, Alexis and Rachel Caresche Ajorque have Legato , tennis made in the course of their graduation project within the school ArtFX. They were assisted by two students specialists Gaël Kerchenbaum and Louis Savalli. Pitch: A music, travel, experience...
July 1, 2014, 04:42 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“The point is of no return, and you’ve reached it.” — Varla, Faster, Pussycat! Kill! Kill! (1965) ...
June 30, 2014, 09:28 AM
http://www.borisfx.com/blog/2014/06/30/save-50-off...
Boris RED 5.5 is the successor to Avid FX. Highlights include: Added real-time (RT) operation Improved text tools (simply click and type) on Mac OS User interface enhancements New to Media Composer 8, … Continue reading →
June 30, 2014, 09:27 AM
http://www.creativebloq.com/audiovisual/6-movie-st...
This feature is brought to you in association with Masters of CG, a new competition that offers the chance to work with one of 2000AD's most iconic characters and win an all expenses paid trip to the SIGGRAPH conference. Find out more at the end of this article...
June 30, 2014, 09:27 AM
http://www.artofvfx.com/?p=8385
Matt Kasmir began his career in the VFX in 1988 at The Computer Film Company. He works in the compositing and participates in many films such as KING KONG, V FOR VENDETTA or STARDUST. He joined Nvizible for GRABBERS and works on films like WRATH OF THE TITANS, SKYFALL or GRAVITY.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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