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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Making the Cut: Paul Rubell, ACE—Finding the Dra

February 20, 2018, 12:47 PM

https://www.youtube.com/watch?v=CWP95gWV5qM

Paul Rubell, ACE, discusses how Media Composer liberates his editing process and allows him to create and save multiple versions. Watch the complete "Making The Cut" video series on http://www.avidblogs.com/makingthecut

An extra 12db in the Avid MC

February 20, 2018, 06:32 AM

https://www.provideocoalition.com/day-20-28daysofq...

This is kind of two Avid Media Composer audio tips in one. When you raise the audio level on a clip in Avid Media Composer via Clip Gain you can raise it 12 db. That is achieved by either the Audio Mixer Clip mode or by turning on Clip Gain in the timeline Fast/Hamburger menu or the track control panel.

FCPX Tour Madrid Attracts the Cream of Spanish Med

February 19, 2018, 07:29 AM

http://www.fcp.co/final-cut-pro/articles/2041-fcpx...

We usually announce the FCPX Tours a few weeks in advance. But the Tour that took place on February 3rd in Madrid did not need any promotion at all. Just one day after the event was mentioned on the FCPX Tour website and on finalcutpro.es, all 236 seats in the Cineteca movie theater were taken and there was a waiting-list of people hoping for last-minute cancellations.

Molly’s Game

February 18, 2018, 05:32 PM

https://digitalfilms.wordpress.com/2018/02/18/moll...

Molly Bloom’s future looked extremely bright. A shot at Olympic skiing glory leading to entry into a leading law school. But an accident during qualifying trials for the U. S. ski team knocked her out of the running for the Salt Lake City games. (Bloom notes in her own memoir that it was her decision […]

Transcript: Digital Production Buzz – February 1

February 16, 2018, 02:37 PM

http://www.digitalproductionbuzz.com/2018/02/trans...

HOST Larry Jordan GUESTS Brendan Carr, Commissioner, FCC Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Philip Hodgetts, President, Lumberjack System James DeRuvo, Editor-in-Chief, DoddleNEWS == Male Voiceover: The Digital Production Buzz is brought to you by KeyFlow Pro.… The post Transcript: Digital Production Buzz – February 15, 2018 appeared first on Digital Production BuZZ.

Week in Premiere 2/16/18

February 16, 2018, 12:52 PM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Find the Beat with BeatEdit for Premiere Pro • "The Square" Edited in Premiere Pro • Controlling the Frame in Premiere Pro • Editing Different VR360 Resolutions in Premiere Pro

#editing#adobe#premiere pro#tutorials#creative cloud
My 10th IAVA (Invisible Art/Visible Artist)

February 15, 2018, 08:07 PM

http://wordpress.quintessentialstudios.net/?p=899

In 2009, I went to my first IAVA event. It’s a panel of editors who have been nominated for that year’s Academy Award or Oscar, put on by A.C.E. (American Cinema Editors). The editors in attendance, usually all of them, discuss their path to an editing career and their film they’re nominated for editing. It [...]

Avid at HPA Tech Retreat 2018: Navigating Media Pr

February 15, 2018, 08:06 PM

http://www.avidblogs.com/avid-hpa-tech-retreat-201...

The article Avid at HPA Tech Retreat 2018: Navigating Media Production Workflows by Jess Bedford appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

The challenges of creating a shared storage ‘spe

February 15, 2018, 10:47 AM

http://postperspective.com/the-challenges-of-creat...

By James McKenna The specification — used in a bid, tender, RFQ or simply to provide vendors with a starting point — has been the source of frustration for many a sales engineer. Not because we wish that we could provide all the features that are listed, but because we can’t help but wonder what the author of those specs was thinking. Continue reading → February 14, 2018 The post The challenges of creating a shared storage ‘spec’ appeared first on Randi Altman's postPerspective.

Why Hitchcock Altered the Opening Sequence of 'Not

February 15, 2018, 10:47 AM

https://filmschoolrejects.com/hitchcock-altered-op...

You’d be hard-pressed to find a critic who does not count Alfred Hitchcock’s Notorious among the director’s best works. Francois Truffaut called it his favorite black-and-white Hitchcock film, saying that it is “the very quintessence of Hitchcock.”

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