It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 30, 2017, 07:50 PM
http://alex4d.com/notes/item/4k-only-beginning-uk-...
Some think that Final Cut Pro X has problems working with 8K footage. Hangman Studios has been making concert films with this workflow since 2015. There’s a new case study by Ronny Courtens of Lumaforge at fcp.co: Two years ago I made a conscious decision to get rid of all of my HD cameras. We decided that everything from now on had to be 4K and up. …our boutique post production services in London are newly designed and built for 8K workflows and high end finishing. Drawing upon 17 y...
November 30, 2017, 01:19 PM
http://www.fcp.co/final-cut-pro/articles/2022-jame...
AC/DC, Coldplay, The Rolling Stones, Robbie Williams, Metallica, David Gilmour, Duran Duran, Placebo, Dixie Chicks, Zipperface, Beyoncé, Björk… You name them, James Tonkin has worked with them. In this extensive interview, he talks about the gear he takes on the road to shoot and edit concerts of the world’s greatest bands, and about his new high-end post house in London. A good read for anyone who is interested in camera gear and post production technology.
November 30, 2017, 01:19 PM
https://fxfactory.com/blog/effects-2/afonte-custom...
Adjust color, speed and other properties and let it animate everything on screen for you.
November 29, 2017, 12:40 PM
http://saeditores.org/Novedades/Cuentame-como-paso...
Una síntesis personal de la edición por sus artífices.
November 29, 2017, 12:40 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
November 29, 2017, 12:38 PM
https://edaeditores.org/eda-participara-de-la-feri...
El domingo 17 de diciembre la Asociación estará participando de la FeCiA (Feria del Cine y el Audiovisual) con un stand en donde se podrá adquirir ejemplares del libro “Entre cortes. Conversaciones con Montajistas de Argentina”. A las 19:00 hs se realizará una presentación del libro con la presencia de sus co-autores. La jornada se […]
November 29, 2017, 05:21 AM
https://edaeditores.org/se-realizo-la-charla-el-ro...
En el marco del Festival Internacional de Cine de Mar del Plata el sábado 25 de noviembre se llevó a cabo en el Salón Recova del Gran Hotel Provincial la charla “El rol del montajista en un film” a cargo de Pablo Barbieri (SAE/EDA), miembro de las Academias de las Artes y las Ciencias Cinematográficas […]
November 28, 2017, 08:01 PM
http://www.avidblogs.com/making-the-cut-gordon-mas...
The article Making The Cut: Gordon Mason, ACE — Work, Work, Work by Claire Sayers appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 28, 2017, 08:00 PM
https://library.creativecow.net/wall_kylee/living_...
Ana Florit is your typical Los Angeles-based film editor: among other things, she grew up in the French Alps, moved to Paris, directed a one-hour movie, moved to LA, and has worked on five Sharknado movies, including the most recent, Sharknado 5: Global Swarming.
November 28, 2017, 05:50 AM
http://saeditores.org/Novedades/Juan-Carlos-Macias...
Durante el 32˚ Festival Internacional de Cine de Mar del Plata, el pasado viernes 24 la SAE entregó el Premio a la Trayectoria 2017 a nuestro socio fundador Juan Carlos Macías (SAE).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.