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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

La SAE auspiciará el AtlantiDoc 2017 en Uruguay

November 24, 2017, 06:55 AM

http://saeditores.org/Novedades/La-SAE-auspiciara-...

Por primera vez, la SAE auspiciará una actividad fuera de nuestro país: se trata del 11º Festival Internacional de Cine Documental de Uruguay (AtlantiDoc 2017), que se llevará a cabo en la ciudad uruguaya de Atlántida, entre el 4 al 9 de diciembre de 2017.Se trata de un espacio pensado para la exhibición del mejor cine documental, con una programación basada en más de 80 títulos de todas las latitudes, con obras de distintas duraciones y un enfoque orientado a las producciones ...

Peter Maffay Pulls the Plug for MTV Unplugged Show

November 24, 2017, 06:55 AM

http://www.avidblogs.com/peter-maffay-pulls-plug-m...

The article Peter Maffay Pulls the Plug for MTV Unplugged Show Mixed by Ronald Prent Using the Avid VENUE | S6L by Thomas Wendt appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Week in Premiere 11/24/17

November 24, 2017, 05:54 AM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Premiere Pro Black Friday Discounts • FREE Retro Look Preset Pack • Shared Projects: Everything You Need to Know • Glitch, Spin, Shake & Blur Transition Tutorials

#editing#adobe#premiere pro#creative cloud#black friday
[32] MDQ: Nominados a Mejor Montaje – “Primas

November 23, 2017, 06:00 PM

https://edaeditores.org/32-mdq-nominados-a-mejor-m...

Laura Bari, editora y directora de Primas, nos cuenta cómo fue el proceso de montaje de su película, nominada al premio al Mejor Montaje de películas en Competencia Internacional, que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata: “La película comenzó con un personaje, Rocío, y al año […]

How Does VEGAS Pro 15 Compare

November 23, 2017, 06:00 PM

https://www.provideocoalition.com/vegas-pro-15-com...

I have used VEGAS Pro for more than ten years, and a big part of the reason I use it as my “go-to” NLE above any other choice is that it really is a comprehensive all-in-one set of tools. It actually lets you finish the whole project from the beginning to the end within one software package. Adobe Premiere Pro, Avid Media Composer, Apple Final Cut Pro X and Blackmagic DaVinci Resolve are all great in their own way, but they all have shortcomings that force users to rely on other tools to fin...

Edge of the City (1957)

November 23, 2017, 02:41 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“You go with the men and you’re 10 feet tall. You go with the lower forms and you are down in the slime.” — Tommy Tyler ...

32 MDQ: Nominados a Mejor Montaje Competencia Inte

November 23, 2017, 12:21 PM

https://edaeditores.org/32-mdq-nominados-a-mejor-m...

Cláudia Oliveira, Edgar Feldman y Luísa Homem editaron juntos la película A fábrica de nada de Pedro Pinho. Los tres están nominados al premio al Mejor Montaje de películas en competencia Internacional que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata y nos cuentan el proceso de edición de esta película: Luísa Homem: […]

[32] MDQ: Nominados a Mejor Montaje – “Invisib

November 23, 2017, 12:21 PM

https://edaeditores.org/32-mdq-nominados-a-mejor-m...

María Astrauskas (SAE), editora de Invisible, nos cuenta cómo fue el proceso de montaje de la película dirigida por Pablo Giorgelli, nominada al premio al Mejor Montaje de películas en Competencia Internacional, que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata: “El montaje de Invisible fue un proceso […]

*El puto inolvidable*, por Martín Senderowicz

November 23, 2017, 06:47 AM

http://saeditores.org/Novedades/El-puto-inolvidabl...

Una síntesis personal de la edición por sus artífices.

The A-List — Nancy Forner, ACE, Associate Profes

November 23, 2017, 06:46 AM

http://www.avidblogs.com/the-a-list-nancy-forner-a...

The article The A-List — Nancy Forner, ACE, Associate Professor of Cinema Practice at USC by Avid appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

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