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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Become a Colorist

November 7, 2018, 10:37 AM

https://www.cinema5d.com/how-to-become-a-colorist-...

Ollie Kenchington, cinema5D contributing writer, lead colorist at Korro Films and Blackmagic Certified Trainer at Korro Academy, has recently released his second color-grading course on MZed, called “Mastering Color” (reviewed here). We took the opportunity to ask Ollie a few questions about color grading, his start in the industry and some useful advice he would give to aspiring colorists. Here are his answers.

Review: G-Technology G-Drive Mobile 4 TB USB-C HDD

November 6, 2018, 07:55 PM

http://www.studiodaily.com/2018/11/review-g-techno...

I’ve been singing the praises of SSDs like everyone else. SSDs featuring the latest 3D architecture and Thunderbolt are the way to go: They are super-fast, use very little power, contain no moving parts, and are getting cheaper all the time. Then why are we still buying spinning-disc mechanical hard drives? Two reasons: high capacity […] The post Review: G-Technology G-Drive Mobile 4 TB USB-C HDD appeared first on Studio Daily.

Can you Edit 4K Video on a New MacBook Air?

November 6, 2018, 12:54 PM

http://www.fcp.co/final-cut-pro/articles/2125-can-...

It is a good question and of course you can guess the NLE used in the trial. It's a short video, but worth watching for the comparisons and conclusion, especially as it is the base model.

Anne McCabe, ACE, on Cutting Can You Ever Forgive

November 5, 2018, 01:37 PM

http://www.studiodaily.com/2018/11/anne-mccabe-ace...

Directed by Marielle Heller, Can You Ever Forgive Me? is the true story of author Lee Israel, a brilliant New York curmudgeon who began forging uncannily witty letters by cultural legends after her own career had stalled. With a less glamorous though no less authentic 1990s New York City as its backdrop, the film features an awards-worthy turn […] The post Anne McCabe, ACE, on Cutting Can You Ever Forgive Me? appeared first on Studio Daily.

Kollaborate month-to-month price reductions

November 5, 2018, 01:37 PM

http://www.digitalrebellion.com/blog/posts/kollabo...

When we created Kollaborate we set out to encourage long-term subscriptions, with short-term subscriptions intended for situations where you might only work on a project for a few months and therefore not need a whole year's subscription. So for this reason there was a significant price difference between annual and monthly subscriptions. While more than 80% of our customers are on annual subscriptions, we know that some customers prefer to be billed monthly and have in fact been using our...

The Sound of Battlefield V

November 5, 2018, 10:06 AM

http://designingsound.org/2018/11/05/the-sound-of-...

Total immersion has been a keyword for the Battlefield game series. DICE strive to achieve this in every aspect of the game and audio plays an important role. In this video interview with lead sound designer Andreas Almström and senior audio director Bence Pajor from the audio department of DICE, they talk about the sound […]

Intelligent metadata search in Premiere Pro

November 4, 2018, 07:34 AM

https://www.provideocoalition.com/powersearch-inte...

A search engine integrated into Premiere Pro, PowerSearch makes it easy for editors to find specific clips within their Premiere timelines with a simple Google-like text search.

Bohemian Rhapsody editor, John Ottman

November 3, 2018, 06:41 AM

https://www.provideocoalition.com/art-of-the-cut-w...

There are very few big-time editors who do double duty as legitimate film composers, but in this Art of the Cut, we’ll be talking to one of them: John Ottman, ACE. He performed both of these jobs on The Usual Suspects, X-Men 2, Superman Returns, and Valkyrie.

Week in Premiere 11/2/18

November 2, 2018, 02:01 PM

https://www.premierebro.com/weekinpr/week-in-premi...

Premiere Pro Week In Review: Typekit is Now Adobe Fonts (14,000+ Fonts for Premiere Pro!) • Meet the Best Computer Builder for Premiere Pro • Sapphire 2019 by Boris FX Now Available • How to Use the New Vector Motion Effect in Premiere Pro

#editing#adobe#premiere pro#premiere#adobe premiere
Streamlining Cloud Proxy Workflow in Final Cut Pro

November 2, 2018, 12:21 PM

http://www.fcp.co/final-cut-pro/tutorials/2124-str...

We have covered making smaller proxies in Final Cut Pro X and sharing those with a remote editor a few times before. Jordan Smith takes it a stage further and streamlines the workflow into a quick & simple process.

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