It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2014, 01:16 PM
http://www.legitreviews.com/powercolor-radeon-r7-2...
Last month AMD released the Radeon R7 250X, an entry level discrete graphics card that is part of the Radeon R7/R9 ‘new’ product line. The AMD Radeon R7 250X sells for around $99 and fills the small gap between the AMD Radeon R7 250 at $89 and the the Radeon R7 260 at $109. The next step up from that is the Radeon R7 260X that goes for between $119 with 1GB of memory to $129 for 2GB of memory. This means that AMD now has offerings on the market at $10 price increments between $89 to $129! Th...
March 7, 2014, 05:44 AM
http://moviesincolor.com/post/78804090751/harold-r...
Harold Ramis Week Multiplicity, 1996...
March 4, 2014, 08:20 PM
http://www.premiumbeat.com/blog/tv-drama-color-gra...
Baselight is a powerful color grading platform used in professional film, commercial and TV work. In this post, we share a workflow for achieving a dramatic color look using Baselight.
March 4, 2014, 11:08 AM
http://www.dvinfo.net/optical-science/a-short-hist...
Color is something that has fascinated me for a long time.This is what I’ve noticed about trends in cameras over the years. When I started out in this business as a camera assistant every film stock had a signature. Companies had overall looks — Kodak was the “warm” company, Fuji was the “cool” company, etc. Read More
March 3, 2014, 10:48 AM
http://cgi.tutsplus.com/tutorials/how-to-change-co...
In this tutorial, you'll learn how to use expressions to link the rotation of one object to the color of multiple others. This will be done in a way that can be edited to fit different scenarios.
February 28, 2014, 10:45 AM
http://bigthink.com/big-think-tv/see-a-color-human...
It's well-known that there are colors that humans can't see. But now in this easy tutorial by everyone's favorite science teacher, Robert Krampf, you can see one of these colors that are not visible to the human eye.
February 24, 2014, 11:06 AM
http://blogs.vancouversun.com/2014/02/22/dial-y-fo...
As of yesterday afternoon, "Dial Y for Yesterday" is officially done. Producer Darren Borrowman delivered the film to the Crazy 8s colourist Larry Di Stefano. Director Greg Crompton and Cinematographer Jem Garrard joined them for the final stage of what was an appropriately crazy ride.
February 24, 2014, 05:52 AM
http://icolorist.com/nab-colorist-mixer-2014/
Please join the guys from iColorist, Mixing Light and the Tao of Color for an evening of Colorist networking with other industry professionals. Never has so many shows, TVCs, music videos, movies, corporate films, and web content been graded by so many people sometimes in remote locations not previously know for color correction. The mixer is a chance to meet other colorists and major manufacturers over a cold beer or two.
February 22, 2014, 02:12 PM
http://feedproxy.google.com/~r/richardharringtonbl...
The Adobe workflow is known for its exceptional integration between apps. Premiere Pro and SpeedGrade have a great relationship. SpeedGrade CC is a powerful color grading system with a streamlined interface and in this course I will show you how to work with the SpeedGrade workflow directly from Premiere Pro. Extending the Power of Premiere Pro: Direct Link to Adobe SpeedGradeTo learn more, I’ve created an exciting course called Premiere Pro: Creative Cloud Updates, for Lynda.comhttp://www...
February 12, 2014, 07:41 PM
http://www.avidblogs.com/newbluefx-colorfast-tutor...
The post WEBINAR: Color Reinvented with NewBlueFX ColorFast appeared first on Avid Blogs.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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