It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 23, 2018, 10:23 AM
http://www.fcp.co/final-cut-pro/articles/2104-usin...
A few years ago, you needed an expensive OB van to cover a live event, even for editing and transmission later. This can now be accomplished on a table top and of course Final Cut Pro's speed helps make it the obvious choice of NLE to get inserts edited for playout. Florian Decker shares his FCPX/K2 workflow on the Globus Marathon in St. Wendel, Germany.
August 23, 2018, 10:23 AM
http://www.artofvfx.com/europe-raiders-vfx-breakdo...
Korean studio Macrograph presents their work on EUROPE RAIDERS...
August 23, 2018, 06:59 AM
http://www.artofvfx.com/adrift-vfx-breakdown-by-mi...
Interested to know how Milk Visual Effects created the ocean and storm for ADRIFT? Then don’t miss this excellent VFX Breakdown!
August 22, 2018, 04:19 PM
http://www.studiodaily.com/2018/08/production-soun...
The Cinema Audio Society (CAS) named production sound mixer Lee Orloff, CAS, as the winner of its next Career Achievement Award honoring sound professionals in the film and television industry. Orloff, who won an Oscar in 1992 for his work with the sound department on Terminator 2: Judgment Day, got his start in documentaries before debuting […] The post Production Sound Mixer Lee Orloff, CAS, to Receive Career Achievement Award appeared first on Studio Daily.
August 22, 2018, 04:19 PM
https://postperspective.com/digging-dailies-workfl...
By Randi Altman If you have been watching HBO’s new series Sharp Objects, you might have some theories about who is murdering teenage girls in a small Missouri town, but at this point they are only theories. Sharp Objects revolves around Amy Adams’ character, Camille, a journalist living in St. Continue reading → August 22, 2018 The post Digging into the dailies workflow for HBO’s Sharp Objects appeared first on Randi Altman's postPerspective.
August 22, 2018, 12:55 PM
https://www.premierebro.com/blog/8-tips-for-editin...
Level Up Your Music Editing Skills With These Practical Premiere Pro Tips. When it comes to editing music in Premiere Pro, there are a couple specific tricks and tools that will help you. This post will get you started by teaching you some of the fundamentals of editing music in Premiere Pro.
#audio#adobe#premiere pro#music#adobe premiereAugust 22, 2018, 12:31 PM
https://postperspective.com/patrick-ferguson-joins...
MPC’s Los Angeles studio has added Patrick Ferguson to its staff as visual effects supervisor. He brings with him experience working in both commercials and feature films. Previous positions include VFX supervisor at The Mission and head of 2D at Method. Ferguson has collaborated with directors such as Stacy Wall, Continue reading → August 22, 2018 The post Patrick Ferguson joins MPC LA as VFX supervisor appeared first on Randi Altman's postPerspective.
August 22, 2018, 05:55 AM
https://www.provideocoalition.com/aotc-blackkklans...
Barry Alexander Brown started in film as a director, and his first documentary, The War at Home, was nominated for an Oscar in 1980. He was also nominated for an ACE Eddie for editing Madonna’s Truth or Dare.
August 21, 2018, 04:16 PM
http://www.studiodaily.com/2018/08/film-editor-bar...
BlacKkKlansman, the newest Spike Lee joint, is one of those movies with a plotline that might seem implausible if it weren’t largely based on a true story. It’s about Ron Stallworth (played in the film by John David Washington), an African-American police officer in Colorado Springs who infiltrated the Ku Klux Klan (KKK) in the 1970s. […] The post Film Editor Barry Alexander Brown on Decades of Working with Spike Lee and BlacKkKlansman appeared first on Studio Daily.
August 21, 2018, 04:16 PM
https://postperspective.com/breathing-life-walking...
By Karen Moltenbrey Zombies used to have a short life span, awakening sometime during October, just in time for Halloween, before once again stumbling back into obscurity for another year. But thanks to the hit series The Walking Dead and its spin-off Fear the Walking Dead, the popularity of these monsters is infectious, Continue reading → August 21, 2018 The post Breathing life into The Walking Dead with VFX appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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