It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 11, 2018, 12:26 PM
https://postperspective.com/disfiguring-man-black-...
If you watch HBO’s Westworld, you are familiar with the once-good guy turned bad guy The Man in Black. He is ruthless and easy to hate, so when Karma caught up to him audiences were not too upset about it. Westworld doesn’t shy away from violence. In fact, it has a major role in the series. Continue reading → July 11, 2018 The post Disfiguring The Man in Black for HBO’s Westworld appeared first on Randi Altman's postPerspective.
July 11, 2018, 12:26 PM
https://www.provideocoalition.com/creating-a-dark-...
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create an animated outdoor scene using only a photo and a few effects built in Final Cut Pro X.
July 11, 2018, 12:26 PM
http://www.animationmagazine.net/vfx/working-for-s...
Fans of Ant-Man’s amazing miniature world are in for many more elaborate visual effects in the fantastic sequel Ant-Man and The Wasp, in theaters now. This time around, the Quantum Realm and The Wasp take the lion’s share of the creative team’s work.
July 11, 2018, 09:17 AM
https://www.provideocoalition.com/editing-dialogue...
Good editors tend to work viscerally; shot choice and cut points for dialogue scenes are chosen as often by instinct as they are by careful deliberation. So it’s not too surprising that when you ask an editor how they come to their decisions they’ll often respond with a blank stare. This is where the study of editing comes in.
July 11, 2018, 05:28 AM
https://postperspective.com/sim-post-ny-expands-au...
Sim Post in New York is in growth mode. They recently expanded their audio for TV and film services and boosted their post team with five new hires. Following the recent addition of a DI theater to its New York location, Sim is building three audio suites, a voiceover room and support space for the expanded audio capabilities. Continue reading → July 10, 2018 The post Sim Post NY expands audio offerings, adds five new staffers appeared first on Randi Altman's postPerspective.
July 11, 2018, 05:27 AM
http://www.3dvf.com/actualite-23823-siggraph-2018-...
A joint research project between Disney Research and the University of Utah will be presented at SIGGRAPH 2018 by Dimitar Dinev, Thabo Beeler, Derek Bradley, Moritz Bächer, Hongyi Xu and Ladislav Kavan.
July 11, 2018, 05:26 AM
https://www.provideocoalition.com/creating-tiny-pl...
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create a tiny planet effect out of a 360 clip in Final Cut Pro X.
July 11, 2018, 05:26 AM
https://library.creativecow.net/Legion_VFX/superfl...
VFX Legion created over 100 digital effects for ‘Superfly,’ Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The deadline was only five weeks away, and the visual effects for key action sequences had yet to be assigned when producer Joel Silver and Director X brought the LA studio onboard. Legion’s team was tasked with producing a complex mix of shots designed to heighten the visual impact and visceral feel of the violence in the film’s two pivotal shootout...
July 10, 2018, 12:07 PM
http://designingsound.org/2018/07/10/interview-jam...
This month, with the theme being mentorship, I decided to interview my biggest mentor in film sound, James Morioka. James has worked on films such as 21 and 22 Jump Street, Fury, Spider-Man: Homecoming, and Hotel Transylvania 2 and 3. DS: This month our theme is mentorship, but before we get started with that, can […]
July 10, 2018, 12:07 PM
http://designingsound.org/2018/07/10/daan-hendrick...
In this blog post, field recordist Daan Hendricks shares some of the sights and sounds he captured during the Black River Sweden recording trip in April. Hear the strange calls and powerful wing flaps of beautiful capercaillies and lush active ambiences filled with black grouse, loons, bitterns, frogs, and more of the country’s fascinating wildlife. […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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