It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 26, 2016, 08:44 AM
http://www.postmagazine.com/Video-Center/Gallery/V...
The Iloura team completed 500 shots, led by Iloura VFX supervisors Glenn Melenhorst and Andrew Hellen and Iloura VFX producers Ineke Majoor and Jeannette Manifold. The feature was colored by Jill Bodganowicz at Deluxe’s Culver City, CA, facility. Iloura’s slate of work focused on look development for and creation of ghostly characters. Iloura 2016 Ghostbusters breakdown reel from Iloura on Vimeo.
August 26, 2016, 08:44 AM
http://designingsound.org/2016/08/where-sound-meet...
Image by Arupinum Ever since I was a kid I’ve been fascinated by those short stories hidden in small 45rpm vinyl records. I remember Alladin, written by Doris Miller, and nicely reworked to wake up the imagination of the listener. Alladin, together with other old records, they were usually piled up somewhere at home, and nobody would care […]
August 26, 2016, 08:43 AM
http://www.improv.no/editing-foreign-2
“Body language and facial expressions need no translation, simply interpretation” When I left the UK, I had no idea I’d end up doing what I inherently wanted to do, which […]
August 26, 2016, 08:43 AM
https://www.digimediapros.com/productionhub-launch...
ProductionHUB has launched IBCHUB to feature pre-event coverage from the IBC Trade Show in Amsterdam.
August 26, 2016, 08:43 AM
http://www.artofvfx.com/mr-x-showreel-2016/?utm_so...
Brand new showreel by Mr. X featuring their VFX work on BEN-HUR, CRIMSON PEAK, VIKINGS, PENNY DREADFUL and many more...
August 26, 2016, 04:42 AM
http://www.premiumbeat.com/blog/best-microphones-f...
Shooting a documentary or corporate video? These shotguns and lavs are some of the best microphones for capturing sit-down interviews.
August 26, 2016, 04:42 AM
https://www.digimediapros.com/news-jeffrey-katzenb...
Jeffery Katzenberg is stepping down as CEO of Dreamwork's Animation as Comcast's 3.8 Billion dollar acquisition deal closes.
August 26, 2016, 04:40 AM
http://www.audiomediainternational.com/business/au...
Professional audio-visual equipment provider Audiologic has announced that it is to conclude its arrangement with audio solutions brand AUDAC (whose portfolio includes Caymon and Procab accessories) effective October 1 2016.
August 25, 2016, 05:01 PM
http://thefcpxeditor.tumblr.com/post/149476385543/...
Over here at Jamestown Films we’ve recently picked up a DJI Inspire 1 raw drone. Here’s a quick little workflow breakdown for you if you are thinking about getting one as well. The files are large and there is a workflow time cost involved so consider that before buying the raw model. The image is very nice though. Just watch out for low light exposure noise, it’s just a Micro 4/3 sensor after all.
August 25, 2016, 09:18 AM
http://www.premiumbeat.com/blog/matching-shot-colo...
Matching shot colors between two clips is easier than ever with these simple tips for Premiere Pro and Final Cut Pro users.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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