It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 22, 2018, 06:06 AM
https://fxfactory.com/blog/effects-2/final-cut-pro...
Rip off any clips and stills on your timeline to reveal media below. Realistic and configurable paper tear edge!
February 22, 2018, 06:06 AM
http://www.artofvfx.com/star-wars-the-last-jedi-ma...
Excellent making of by ILM about their work on the Bombing Run sequence on STAR WARS – THE LAST JEDI...
February 22, 2018, 06:05 AM
http://www.cgw.com/Press-Center/In-Focus/2018/Earl...
AxisVFX, the visual effects arm of Axis Studios and creator of high-end CG imagery for television and film projects, has delivered 1,350 shots over the course of 13 months on Aardman Animations’ latest stop-motion epic Early Man. The work included the film’s dramatic prologue, epic stadium shots, the moody badlands, lava, fire and water FX.
February 21, 2018, 02:48 PM
http://www.studiodaily.com/2018/02/ssd-critical-ap...
Folks. The moment has arrived when we need to dump our spinning mechanical drives. They served us well for decades, and still do for our very-high-capacity lowest-cost-per-gig applications like backing up an entire production. But for critical applications like offloading and managing original camera files and remote editing of multiple 4K streams, it really is […] The post SSD for Our Most Critical Applications? It’s Time. appeared first on Studio Daily.
February 21, 2018, 02:48 PM
http://postperspective.com/skywalkers-michael-sema...
By Jennifer Walden Oscar-winning re-recording mixer Michael Semanick from Skywalker Sound mixed the sound effects, Foley and backgrounds on Star Wars: The Last Jedi, which has earned an Oscar nomination for Sound Mixing. Technically, this is not Semanick’s first experience with the Star Wars franchise — he’s credited as an additional mixer on Rogue One — but on The Last Jedi he was a key figure in fine-tuning the film’s soundtrack. Continue reading → February 21, 2018 The pos...
February 21, 2018, 10:19 AM
http://www.avidblogs.com/whats-stopping-finishing-...
The article What’s Stopping You From Finishing Tracks? by Tom Frampton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
February 21, 2018, 06:59 AM
http://www.fcp.co/final-cut-pro/articles/2042-edit...
Ming Lai's story about the post production of his latest feature documentary 'Visions of Warriors' is one that we are sure we will hear again a lot more in the future. Quite simply, how Final Cut Pro X made it easy for the director to finish a film without the need of an editor or expensive equipment. All in 4K as well.
February 20, 2018, 05:51 PM
http://www.studiodaily.com/2018/02/oscar-nominated...
John Nelson’s visual effects Oscar nomination for Blade Runner 2049 is his fourth overall. In February, he received BAFTA’s Best Special Visual Effects Award for the film, and he has received an additional two previous BAFTA nominations. In 2001, Nelson received an Oscar for Gladiator. He has also received Oscar and BAFTA nominations for Iron […] The post Oscar-Nominated VFX Supervisor John Nelson on Blade Runner 2049 appeared first on Studio Daily.
February 20, 2018, 05:50 PM
http://postperspective.com/behind-title-mti-senior...
NAME: Trent Johnson COMPANY: MTI Film CAN YOU DESCRIBE YOUR COMPANY? MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development. AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 20, 2018 The post Behind the Title: MTI Senior Colorist Trent Johnson appeared first on Randi Altman's postPerspective.
February 20, 2018, 12:47 PM
https://www.youtube.com/watch?v=CWP95gWV5qM
Paul Rubell, ACE, discusses how Media Composer liberates his editing process and allows him to create and save multiple versions. Watch the complete "Making The Cut" video series on http://www.avidblogs.com/makingthecut
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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