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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

65th MPSE Golden Reel Awards Winners Announced

February 20, 2018, 06:32 AM

http://designingsound.org/2018/02/65th-mpse-golden...

The 65th MPSE Golden Reel Awards Winners have been announced. The career achievement award goes to Field Recordist John P. Fasal and the annual MPSE Filmmaker Award to Director Kathryn Bigelow. For a complete list of winners visit the official page.

An extra 12db in the Avid MC

February 20, 2018, 06:32 AM

https://www.provideocoalition.com/day-20-28daysofq...

This is kind of two Avid Media Composer audio tips in one. When you raise the audio level on a clip in Avid Media Composer via Clip Gain you can raise it 12 db. That is achieved by either the Audio Mixer Clip mode or by turning on Clip Gain in the timeline Fast/Hamburger menu or the track control panel.

BLADE RUNNER 2049: VFX Breakdown

February 20, 2018, 06:32 AM

http://www.artofvfx.com/blade-runner-2049-vfx-brea...

Don’t miss this 10 min VFX breakdown by Framestore about their great work on BLADE RUNNER 2049...

Chris Wedge at FMX 2018

February 20, 2018, 06:31 AM

http://www.cgwires.com/chris-wedge-fmx-2018/

Ludwigsburg/Germany, February 16, 2018. Spring is coming – bringing closer FMX 2018 and plenty of program confirmations. Today the first highlights from technology and games related tracks and presentations can be announced. Furthermore, animation icon Chris Wedge (Blue Sky Studios) just confirmed his participation in FMX 2018.

Comparing Diffusion and Random Walk SSS in Arnold

February 19, 2018, 02:02 PM

http://lesterbanks.com/2018/02/comparing-random-wa...

Arvid Schneider Offers a Look Into the Visual Differences Between Using Diffusing and the New Random Walk SSS Modes in Arnold It’s hard not to get excited about rendering these days with so many new

FCPX Tour Madrid Attracts the Cream of Spanish Med

February 19, 2018, 07:29 AM

http://www.fcp.co/final-cut-pro/articles/2041-fcpx...

We usually announce the FCPX Tours a few weeks in advance. But the Tour that took place on February 3rd in Madrid did not need any promotion at all. Just one day after the event was mentioned on the FCPX Tour website and on finalcutpro.es, all 236 seats in the Cineteca movie theater were taken and there was a waiting-list of people hoping for last-minute cancellations.

Smart Post Sound Signs On As After Party Sponsor F

February 18, 2018, 05:32 PM

http://www.btlnews.com/blog-the-line/smart-post-so...

    From the complex, thirty-five year family dynamics that fuel the Pearson children in ABC’s “This Is Us,” to the superpowers forged in the schizophrenic mind of David Haller (Dan Stevens) in FX’s Legion, Smart Post Sound has paved the audio path for these, and many other critically acclaimed entities. This year, they’re taking […] The post Smart Post Sound Signs On As After Party Sponsor For 54th CAS Awards appeared first on Below the Line.

Molly’s Game

February 18, 2018, 05:32 PM

https://digitalfilms.wordpress.com/2018/02/18/moll...

Molly Bloom’s future looked extremely bright. A shot at Olympic skiing glory leading to entry into a leading law school. But an accident during qualifying trials for the U. S. ski team knocked her out of the running for the Salt Lake City games. (Bloom notes in her own memoir that it was her decision […]

VFX Supervisor Ben Morris on Star Wars: The Last J

February 17, 2018, 06:43 AM

http://www.studiodaily.com/2018/02/vfx-supervisor-...

Oscar and BAFTA nominee Ben Morris, creative director of Industrial Light & Magic’s London Studio, was the overall visual effects supervisor for Star Wars: The Last Jedi. Morris has received an Oscar and a BAFTA award for The Golden Compass, a BAFTA nomination for War Horse, a Primetime Emmy and VES award for Dinotopia, and […] The post VFX Supervisor Ben Morris on Star Wars: The Last Jedi appeared first on Studio Daily.

Transcript: Digital Production Buzz – February 1

February 16, 2018, 02:37 PM

http://www.digitalproductionbuzz.com/2018/02/trans...

HOST Larry Jordan GUESTS Brendan Carr, Commissioner, FCC Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Philip Hodgetts, President, Lumberjack System James DeRuvo, Editor-in-Chief, DoddleNEWS == Male Voiceover: The Digital Production Buzz is brought to you by KeyFlow Pro.… The post Transcript: Digital Production Buzz – February 15, 2018 appeared first on Digital Production BuZZ.

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