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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

BEHIND THE VFX OF WONDER WOMAN’S SECRET ISLAND

July 7, 2017, 05:43 AM

http://vfxvoice.com/behind-the-vfx-of-wonder-woman...

In Wonder Woman, the newest installment in the DC Extended Universe film franchise, director Patty Jenkins relied on a significant but seamless visual effects effort to help realize Diana Prince’s (Gal Gadot) hidden island home of Themyscira.

PipelineFX releases Qube! 6.10

July 6, 2017, 04:28 AM

http://www.cgchannel.com/2017/07/pipelinefx-releas...

PipelineFX has released Qube! 6.10, the latest version of its renderfarm management software. The update makes it possible to access per-minute analytics generated by Qube!’s metered licensing system online.

THE MUMMY: Darren Poe - VFX Supervisor - Double Ne

June 30, 2017, 09:36 AM

http://www.artofvfx.com/the-mummy-darren-poe-vfx-s...

Darren Poe has more than 20 years of experience in visual effects. He worked at Digital Domain, Weta Digital, Scanline VFX and then joined Double Negative in 2016. He has worked on many films such as FIGHT CLUB, STAR TREK, TRON: LEGACY and THE AVENGERS.

doddleREVIEWS: SliceX From CoreMelt

June 30, 2017, 09:36 AM

http://www.doddlenews.com/news-room/doddlereviews-...

I’m a huge fan of motion tracking and of Imagineer Systems. Mocha Pro has gotten me out of a jam more times than I can count, and I love to see how it’s taken and integrated into other NLE’s and compositing applications. They recently released Mocha Pro the Plug-In for Media Composer, Adobe, and OFX Hosts. This is very cool, but what I find even cooler is how CoreMelt has integrated Mocha tracking technology into three different plugins for Final Cut Pro X, and in this review, we’re goin...

The Visual Effects of Okja

June 30, 2017, 05:21 AM

http://cinefex.com/blog/okja/

In the genre-bending animal adventure Okja, a young girl called Mija (An Seo Hyun) helps her grandfather Hee Bong (Byun Heebong) to raise a gigantic super-pig in the wilds of South Korea. When Lucy Mirando (Tilda Swinton), head of the multinational Mirando Corporation, reclaims the genetically-engineered creature for her own self-serving ends, Mija embarks on an epic adventure to rescue her beloved Okja from the conglomerate’s sinister clutches.

ArtAV Chooses Blackmagic Design HyperDeck Studio M

June 28, 2017, 09:08 AM

http://boscpug.org/artav-chooses-hyperdeck-studio-...

ArtAV, one of the leading companies providing AV services to some of the world’s top artists, museums and theaters, is using HyperDeck Studio Pro and HyperDeck Studio Mini broadcast decks with its Synchronizer product line.

This VR “Extravaganza” Is Immersive, but Highl

June 27, 2017, 01:52 PM

http://www.studiodaily.com/2017/06/vr-extravaganza...

Imagine a puppet show — a really horrible puppet show that’s badly acted, offensive in pretty much every way and violent to the point of puppets losing limbs. Now imagine that you, the viewer using a VR headset, have somehow become trapped as a puppet in that hellish show, which is being performed for a clueless […] The post This VR “Extravaganza” Is Immersive, but Highly Problematic appeared first on Studio Daily.

WONDER WOMAN: Alex Wuttke - VFX Supervisor

June 27, 2017, 09:30 AM

http://www.artofvfx.com/wonder-woman-alex-wuttke-v...

In 2015, Alex Wuttke explained to us about the work of Double Negative on ANT-MAN. Then he worked on SPECTRE.

How the ‘Black Mirror’ VFX Team Brought the Ho

June 25, 2017, 03:04 PM

https://www.yahoo.com/tv/emmys-black-mirror-vfx-te...

Even if you’re not an arachnophobe by nature, the half-human, half-spider nightmare that skitters into frame in the “Playtest” episode of Black Mirror‘s third season may have you thinking twice before you roll up a newspaper to tangle with that arachnid in your basement.

VFX: War For the Planet of the Apes

June 21, 2017, 09:40 AM

http://www.postmagazine.com/Video-Center/Gallery/V...

A look at Weta's VFX work on 20th Century Fox's "War For the Planet of the Apes."

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