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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

GOTHAM - Season 3: VFX Breakdown by CoSA VFX

June 8, 2017, 12:30 PM

http://www.artofvfx.com/gotham-season-3-vfx-breakd...

CoSA VFX presents their VFX work on the third season of GOTHAM...

View Conference 2017: The first speakers!

June 8, 2017, 04:06 AM

http://www.artofvfx.com/view-conference-2017-the-f...

View Conference have just announced their first speakers for the 2017 edition! And it starts really strong with Joe Letteri (Senior VFX Supervisor – Weta Digital), Christopher Townsend (VFX Supervisor – Marvel Studios), Rob Coleman (Head of Animation – Animal Logic) and Hal Hickel (Animation Supervisor – ILM).

VFX Turned Javier Bardem Into Best ‘Pirates of t

June 7, 2017, 04:27 AM

http://www.indiewire.com/2017/06/javier-bardem-pir...

MPC came up with special underwater visual effects for Javier Bardem's Salazar and his ghostly crew in the latest "Pirates" directed by Joachim Rønning and Espen Sandberg.

How to Remove Unwanted Glare from Glass

June 5, 2017, 04:51 PM

https://jeffvlog.wordpress.com/2017/06/05/how-to-r...

Lighting for people with glasses can be pretty tricky, whether you’re shooting video or photos. At Wistia, we’ll usually raise our two key lights up as high as possible and angle them slightly away from the camera to minimize glare. Check out the silent video example below to see the difference it can make! A lot of times this will fix the glare problem, but it can also cause other issues. Watch out for harsh shadows on the talent.

FuseFX Provides VFX for John Ridley’s “America

June 5, 2017, 11:57 AM

http://www.broadcastbeat.com/fusefx-provides-vfx-f...

LOS ANGELES— The FuseFX Los Angeles crew recently provided visual effects services for two projects by Oscar-winning writer/producer/director John Ridley – the anthology series American Crime and the feature-length documentary Let It Fall, which aired April 28. The studio served as the sole visual effects provider for the third season of American Crime, which included ...

Ghost in the Shell VFX Breakdown

June 5, 2017, 09:12 AM

http://www.cgmeetup.net/home/ghost-in-the-shell-vf...

Atomic Fiction – A breakdown of some of our team’s visual effects work on “Ghost in the Shell”. Special thanks to Rupert Sanders, Guillaume Rocheron, and our friends at Paramount and DreamWorks for the opportunity to contribute to these sequences.

Logan VFX Breakdown

June 5, 2017, 09:12 AM

http://www.cgmeetup.net/home/logan-vfx-breakdown/

Rising Sun Pictures – Reprising its role on The Wolverine, Rising Sun Pictures joined Director James Mangold’s team for Logan, the third and final installment in 20th Century Fox/Marvel’s “Wolverine” saga. Working under Production VFX Supervisor Chas Jarrett and Co-Producer Kurt Williams, RSP contributed some 230 shots to the dark, visceral tale, with the work ranging from animating the title character’s trademark claws to producing finely-detailed matte paintings of locations in Mex...

KING ARTHUR - LEGEND OF THE SWORD VFX Breakdown

June 5, 2017, 09:11 AM

http://www.artofvfx.com/king-arthur-legend-of-the-...

A few weeks ago, Christian Kaestner and Stuart Penn had explained to us the work of Framestore on ALIEN: COVENANT. They are back today to tell us about Guy Ritchie’s new film, KING ARTHUR: LEGEND OF THE SWORD.

SIGGRAPH 2017 : iridescence, réflexion et diffrac

May 29, 2017, 09:12 AM

http://www.3dvf.com/actualite-20284-siggraph-2017-...

On the occasion of the SIGGRAPH 2017, French researchers will present publications on the models of materials.

GHOST IN THE SHELL: VFX Breakdown by Atomic Fictio

May 29, 2017, 09:12 AM

http://www.artofvfx.com/ghost-in-the-shell-vfx-bre...

Really cool VFX breakdown by Atomic Fiction about their work on GHOST IN THE SHELL...

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