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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

War for the Planet of the Apes VFX Video with Andy

June 21, 2017, 09:39 AM

http://collider.com/war-for-the-planet-of-the-apes...

Every year that goes by in which Andy Serkis isn’t seriously considered for an Oscar nomination is another year wasted. That ship conceivably could have sailed once The Lord of the Rings movies wrapped since Gollum was Serkis’ strongest character up to that point in his career, but he’s gone on to improve upon his motion-capture performances each and every time he steps into the technologically advanced suit. And that’s without even mentioning the growing number of motion-capture protege...

DNeg TV: The Young Pope

June 20, 2017, 01:39 PM

https://www.fxguide.com/featured/dneg-tv-the-young...

DNeg is known for its Oscar winning feature film work, but it also has a strong television group, founded four years ago. The TV team started with a crew of seven artists and today is 170 strong. It currently has 8 shows in production, and it will complete about 20 by year's end. The TV team operates from three sites, London, LA and Mumbi and services customers such as HBO, Sky, Netflix, BBC, TNT and ITV.

Outpost VFX Dives 47 Meters Down

June 20, 2017, 06:09 AM

http://cinefex.com/blog/outpost-vfx-dives-47-meter...

Steven Spielberg’s tense 1975 thriller Jaws has a lot to answer for. Not only did it help set the mold for the summer blockbuster, but it also secured the place of the great white shark as cinema’s greatest underwater nemesis.

47 Meters Down VFX Breakdown

June 20, 2017, 06:09 AM

http://www.cgmeetup.net/home/47-meters-down-vfx-br...

Outpost VFX – We delivered over 420 shots for Johannes Roberts’ shark Thriller 47 Meters Down, including photorealistic CG sharks, vast set extensions, underwater environments and much, much more! To find out more about our work on the film, head to outpost_47m and don’t forget to like and subscribe.

Al-Marai Treats VFX Breakdown

June 17, 2017, 09:19 AM

http://www.cgmeetup.net/home/al-marai-treats-vfx-b...

VOXELS – In Ramdan all what we need after the Eftar is to treat yourself with something fresh and that what we thought when we create Al-Marai Ad, as you would feel that the freshness had come from everywhere to delight you! and from the other side, we focused in promoting the idea of the new package of Al-Marai treats to the market. To achieve that it took from us two weeks to create this full CGI commercial, As we were involved in each aspect of the commercial from concept to creation, Start...

Imaging the Future 2017: The VFX speakers

June 16, 2017, 05:35 AM

http://www.artofvfx.com/imaging-the-future-2017-th...

The new edition of NIFFF have presented his 2017 program, so let’s have a look at the VFX speakers of Imaging the Future...

New Zbrush 4R8 Upgrade Now Available

June 15, 2017, 07:20 AM

http://theangryvideoguy.com/index.php/2017/06/15/z...

The latest update to the venerable ZBrush has been released. Here is a look at what existing customers will be able to upgrade to for free.

#pixologic#zbrush
Alkemy X Expands VFX Team With Multiple New Hires

June 13, 2017, 05:56 AM

http://www.btlnews.com/community/alkemy-x-expands-...

Creative content company Alkemy X has made several key hires in its award-winning VFX division: VFX supervisor Steve Sanchez, VFX supervisor Gabriel Regentin, senior VFX producer Caitlyn Tomasik, VFX pipeline manager/R&D lead Luiz Garrido, compositor Alejandro Monzon, and VFX production coordinator Mitch Campbell. The new posts are based in the company’s New York office. “Demand […] The post Alkemy X Expands VFX Team With Multiple New Hires appeared first on Below the Line.

Transcontinental colour collaboration on VFX-heavy

June 12, 2017, 04:38 AM

http://www.broadcastbeat.com/transcontinental-colo...

LONDON — 12 June 2017: When you book a commercial into the Super Bowl coverage, you know that the creative and technical quality is going to be under real scrutiny. So for Nissan’s Return of the Snowman spot, VFX specialists The Embassy in Vancouver banded together with post house Alter Ego – 3400km away in Toronto – by ...

VFX veterans launch PHD in LA

June 10, 2017, 03:54 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — PHD is a new collective headed up by visual effects veterans John Hughes (founder Rhythm and Hues), and Helena Packer, along with film/TV/commercial director Kevin Donovan. The company will act as a full service post production house working across the genres of VR/AR, independent films, documentaries, select TV projects, and commercials. They will also offers clients live action production services. 

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