It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 19, 2017, 04:54 AM
http://cinefex.com/blog/alien-memories/
Back in 2014, I marked the 35th anniversary of the release of Alien by blogging about my love for the film. Three years on, I’ve just completed work on our upcoming magazine article covering Alien: Covenant, the latest film in the spine-tingling sci-fi franchise. The film hits US theaters today, and you’ll be able to read our in-depth behind-the-scenes story in Cinefex 153 — the new issue is out in June and available to preorder right now.
May 17, 2017, 04:33 AM
http://www.artofvfx.com/colony-season-2-making-of-...
Canadian studio MELS have just released this making of about their work on the season 2 of COLONY...
May 15, 2017, 09:36 AM
http://lesterbanks.com/2017/05/beginners-guide-vis...
As DCC, Blender is a complete visual effects pipeline from start to finish. It is much more than a 3D application. It has built into it a world-class production renderer, simulation tools, an animation toolset, The Post A Beginner’s Guide to Visual Effects With Blender originally appeared and published on %%BLOGLINK%,by lesterbanks
May 12, 2017, 04:43 AM
http://www.cgmeetup.net/home/door-to-beauty-vfx-br...
Armand Alexey – Project: Door to beauty . VFX Breakdown. “by Alexey Armand at Wireframe Studio (Wireframe.ru/)” Project for some museum in Tokyo.
May 11, 2017, 06:02 AM
http://alex4d.com/notes/item/vr-news-news-2017-rep...
Zillah Watson, a news producer with more VR experience than most, has written a report on VR and news broadcasting for The Reuters Institute for the Study of Journalism. One point in the executive summary calls for news people to join together to lobby the tech world to reduce the walled gardens and create better hardware and standards for wider VR adoption. Some excerpts: The proliferation of content created through experimentation is solving some of the challenges involved in VR/360 s...
May 11, 2017, 06:01 AM
http://www.artofvfx.com/strongbow-a-nature-dream-m...
Nice making of by The Mill about this STRONGOW commercial...
May 9, 2017, 12:34 PM
http://www.doddlenews.com/news-room/doddlereviews-...
I’ve been a reviewer for a long time, and looking way back, one of the first companies I wrote a review of was Noise Industries, and they have always been a favorite of mine. For this review, I want to circle back to Noise Industries and talk about why, if you’re a Mac editor, you really need to make yourself familiar with them. They have a lot to offer, both paid for, and absolutely free!
May 9, 2017, 12:34 PM
http://www.artofvfx.com/the-fate-of-the-furious-jo...
Jonathan Weber began his career in the visual effects in 2007 by joining RISE. He works on numerous projects such as NINJA ASSASSIN, CLOUD ATLAS, CAPTAIN AMERICA: CIVIL WAR or THE MAN FROM U.N.C.L.E.. As VFX Supervisor, he took care of the effects of THE BOOK THIEF, BORGIA and THE FATE OF THE FURIOUS.
May 9, 2017, 07:12 AM
http://www.cgmeetup.net/home/maggie-vfx-breakdown/
Cinesite – Most of Cinesite’s shots established the eerie and abandoned “dead world”. The visual effects team destroyed houses, burned cars, tagged walls, killed every hint of life and reinvented locations by adding abandoned football fields, rusty water towers, empty flyovers, dusty debris on the road and a Kansas City skyline.
May 9, 2017, 07:11 AM
http://www.3dvf.com/actualite-20097-fmx-2017-john-...
Animation World Network presents an interview with John Knoll, chief creative officer of ILM, conducted at the FMX 2017.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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