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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mark Burnett and Nick Emerson on Editing Aubrey Pl

January 20, 2018, 06:57 AM

http://filmmakermagazine.com/104384-editors-mark-b...

Writer/director Jim Hosking premiered his short Renegades at Sundance in 2010 and returned to the festival in 2016 with his debut feature The Greasy Strangler. His second feature, An Evening with Beverly Luff Lin, premieres in the NEXT program at Sundance 2018. Luff Lin unites Hosking with a cast of comedy luminaries: Aubrey Plaza, Jemaine Clement and Craig Robinson, among others. The film was edited by Mark Burnett, who also edited Greasy Strangler, and Nick Emerson (Lady Macbeth, Starred Up). ...

Watson Wu: Hearing is Believing

January 18, 2018, 01:46 PM

http://designingsound.org/2018/01/watson-wu-hearin...

Recently, Watson Wu helped Mercedes-Benz Canada put sound at the forefront in the company’s new commercial. The 30-second spot, mixed in 9.1-channel Dolby Atmos for theaters, gives moviegoers the chance to feel surrounded by a Mercedes-AMG Sedan as it whips around in the darkness, squealing tires and all. With a good pair of headphones (and if […]

Telling a Story with Audio: Munich’s Explosive S

January 17, 2018, 06:37 PM

https://www.premiumbeat.com/blog/telling-story-sou...

Discover how to guide your audience through a scene with nothing but sound in this breakdown of Spielberg's dramatic film Munich.

Annual Pre-GDC Meetup on Sunday March 18th

January 15, 2018, 06:21 PM

http://designingsound.org/2018/01/annual-pre-gdc-m...

Wait, why is there a company logo at the head of this post?! For the last few years, we’ve held a community meetup in San Franciso the Sunday of the week of GDC. We’re continuing that tradition this year, but this time we’ve got a sponsor! You may have spotted this on our Facebook or […]

Sunday Sound Thought #100: The Benefits of Unique

January 14, 2018, 07:20 PM

http://designingsound.org/2018/01/sunday-sound-tho...

I’ve been reading a book in my spare time called How to Win Friends & Influence People, by Dale Carnegie, and have been shocked by how applicable the book’s lessons are to everyday life. Carnegie’s thoughts and experiences are more than just useful for people running companies or trading stocks; they are important for us, […]

Contenders: Composers Benjamin Wallfisch and Hans

January 11, 2018, 10:14 AM

http://www.btlnews.com/blog-the-line/contender-com...

  The science fiction thriller Blade Runner 2049, the much-anticipated sequel to Ridley Scott’s sci-fi classic Blade Runner, takes place 30 years after the events of the first film, with Ryan Gosling starring as K, a new replicant model, with Harrison Ford reprising his role as Rick Deckard. Oscar-nominated director, Denis Villeneuve (Arrival) was a fan […] The post Contenders: Composers Benjamin Wallfisch and Hans Zimmer – Blade Runner 2049 appeared first on Below the Line.

Contender: Re-recording Mixer/Supervising Sound Ed

January 11, 2018, 10:13 AM

http://www.btlnews.com/blog-the-line/contender-re-...

                Sound helped create the real world of Darkest Hour, the story of Winston Churchill’s historic decision to go to war with Germany. “Just like you have your props, your sets, your costumes and everything, we’re doing the same thing with sound. We’re dressing it as 1940. All the […] The post Contender: Re-recording Mixer/Supervising Sound Editor, Craig Berkey – Darkest Hour appeared first on Below the Line.

THX Developer to Receive Inaugural Edward J. Green

January 9, 2018, 10:32 AM

https://www.hollywoodreporter.com/behind-screen/th...

The Cinema Audio Society has created a new award in memory of Edward J. Greene, a sound vet who earned a remarkable 22 Emmys during his career. He died last summer at the age of 82.

Sound Designer Closeup: An Interview with The Nois

January 9, 2018, 09:37 AM

http://designingsound.org/2018/01/sound-designer-c...

Meet David Philipp: Sound Designer and Co-Founder of The Noiseworks Ltd. Based out of London, UK, David’s work has appeared on many release trailers for Total War: Warhammer and Warhammer II as well as the Total War titles, including Rome II, Attila, Kingdoms, and Warharmmer (where he was a lead creature designer). He is also […]

Tips and Tools for Editing Music in Premiere Pro

January 5, 2018, 02:21 PM

http://www.premierebro.com/blog/tips-and-tools-for...

A GUIDE FOR CHOOSING THE RIGHT MUSIC AND EDITING IT IN PREMIERE PRO. It takes an experienced ear to “feel” the rhythm in a song and edit it to the pace of your story. This post will help you develop an ear for choosing the right music and making it fit your video. Let’s take a look at some tips and tools for editing music in Premiere Pro.

#remix#motion array#stock music#essential sound panel#ducking
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