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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SpeedScriber

October 15, 2017, 04:30 PM

https://digitalfilms.wordpress.com/2017/10/15/spee...

Script-based video editing started with Ediflex. But, it really came into its own when Avid created script integration as a way to cut dialogue-driven stories, like feature films, in Media Composer. The key ingredient is a written script or a transcription of the spoken audio. This is easy with a feature that’s been acted according […]

Se presentó el libro “Entre cortes” en Córdo

October 15, 2017, 04:30 PM

https://edaeditores.org/se-presento-el-libro-entre...

Se realizó la presentación del libro “Entre cortes. Conversaciones con montajistas de Argentina en Cordoba en el marco de Cortópolis 2017 Contamos con la presencia de la montajista Alejandra Almirón (EDA), editora de los documentales “La chica del sur”, “Los rubios” y “Yo no sé qué me han hecho tus ojos” entre otros. También expusieron […]

El libro “Entre cortes” se presentó en el Fes

October 15, 2017, 04:30 PM

https://edaeditores.org/el-libro-entre-cortes-se-p...

En el marco del Festival Tucuman Cine Gerardo Vallejo, la comisión de cultura presentó el libro “Entre cortes. Conversaciones con montajistas de Argentina”. El sábado 14 de octubre se realizó en el marco del festival una proyección de un video que contó el proceso de entrevistas y edición del libro, y reflexionó acerca del rol […]

Review: MotionVFX’s mFlare 2 Plugin

October 15, 2017, 05:34 AM

http://thefcpxeditor.tumblr.com/post/166409782193/...

MotionVFX recently released their long awaited updated to their excellent flare generator suite mFlare, aptly called mFlare 2.

A Sneak Look at Path Point Access & External Data

October 14, 2017, 03:08 PM

http://lesterbanks.com/2017/10/path-point-access-e...

Mikey Borup Has a Loom at Two New Features Coming in the Next After Effects — Path Point Access, and External Data Check out some of the new features coming out soon in the next update The Post A Sneak Look at Path Point Access & External Data in Ae originally appeared and published on %%BLOGLINK%,by lesterbanks

La SAE participó del MICA 2017

October 13, 2017, 03:53 PM

http://saeditores.org/Novedades/La-SAE-participo-d...

La SAE estuvo presente en una nueva edición del MICA (Mercado de Industrias Creativas Argentinas), que se desarrolló entre el 6 y el 8 de octubre en el Centro Cultural de la Ciencia. Al igual que en 2015, la asociación participó con una mesa de trabajo en la que se realizaron importantes encuentros...

Power Dynamics Below the Line

October 13, 2017, 03:52 PM

https://blogs.creativecow.net/blog/14729/power-dyn...

If you’re anywhere near Hollywood this week, you’ve got a hot take on Harvey Weinstein. I’ve only been here a few years, exclusively “below the line”, and I heard all the rumors too. I dreaded ever having even secondhand contact with the man and his company: a powerful star maker with the ability to squash any career he chose, a blatant chauvinist, and an indecent human being whose participation in the entertainment industry seemed immoveable.

Week in Premiere 10/13/17

October 13, 2017, 10:50 AM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Scripting Bins and Sequences in Premiere Pro • 2 Multi-camera Syncing Tutorials • Interview with Sean Baker, Director of The Florida Project • 5 Transitions, 5 Keyboard Shortcuts, and 22 Tips in Premiere Pro

#editing#audio#adobe#premiere pro#tutorials
Transcript: Digital Production Buzz – October 12

October 13, 2017, 10:01 AM

http://www.digitalproductionbuzz.com/2017/10/trans...

HOST Larry Jordan GUESTS Pat Grosswendt, Co-Founder, Senior Sales Specialist, Litepanels Michael Kammes, Director of Technology, Key Code Media Wayne Read, Vice President of Marketing, Glyph Production Technologies Martin Baker, Founder, Digital Heaven Dave Walton, Assistant VP, Marketing Communications, JVC Kenwood USA Corporation James DeRuvo, Senior Writer, DoddleNEWS == Larry Jordan:  Tonight on the Buzz we look at several new and emerging technologies and some cool new p...

The Synth Sounds of Blade Runner

October 12, 2017, 12:10 PM

http://www.studiodaily.com/2017/10/synth-sounds-bl...

Using a variety of instruments and techniques, Reverb.com’s Justin DeLay walks viewers through the layers of synts in the Vangelis score for the original Blade Runner. Be sure to read the YouTube comments for additional discussion centered on getting closer to that vintage Vangelis synth sound. The post The Synth Sounds of Blade Runner appeared first on Studio Daily.

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