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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

New "Fusion in Resolve" 20 minute quickstart

October 24, 2018, 12:46 PM

https://www.provideocoalition.com/new-fusion-in-re...

Hot off the moviola.com presses: a 20 minute guide to get you up and running in Resolve’s new Fusion page. Been holding off taking the deep dive into Blackmagic’s full-featured finishing package DaVinci Resolve? Well, it’s time. Fusion is now a first-class citizen in the Resolve interface, bringing the power of node-based compositing directly to the editing timeline.

"Solo" – A Fusion of Creativity and Technology

October 23, 2018, 09:48 AM

http://cinefex.com/blog/solo-a-fusion-of-creativit...

As senior vice president, executive creative director and head of Industrial Light & Magic, Rob Bredow gets involved with every project that passes through ILM’s doors. During his keynote presentation at VIEW Conference 2018 today, he shared his experiences as visual effects supervisor and co-producer of Solo: A Star Wars Story. Cinefex sat down with Rob in the Turin sunshine after his presentation to talk more about his adventure in a galaxy far, far away.

10 Gnarliest Practical Effects in Horror Films

October 22, 2018, 08:51 AM

https://filmschoolrejects.com/10-gnarliest-practic...

A film is dated the moment it is released. To exist out of time is an impossibility. You can spot the seams of any “classic” if you watch with a modern eye. You may allow yourself a chuckle or even an eye-roll. That is not to say that the film has failed you, or that it is not worth your attention. It’s just old. Don’t worry, that baller CGI-fest you’re currently praising will sink into history as well. Now, some movies can surprise you. When it comes to the horror genre, more often th...

Five Questions: Zero VFX CEO Brian Drewes

October 19, 2018, 09:28 AM

http://www.studiodaily.com/2018/10/five-questions-...

When Zero VFX CEO Brian Drewes co-founded the company in early 2010, he didn’t just gain entrée to the visual-effects arena — he also worked to transform it, launching Zync, a pioneering provider of cloud rendering services, in 2011. Google purchased Zync in 2014, freeing Drewes up to focus on broadening the purview of Zero […] The post Five Questions: Zero VFX CEO Brian Drewes appeared first on Studio Daily.

Trick Digital regarding bloody VFX work on breakou

October 19, 2018, 09:27 AM

https://www.productionhub.com/blog/post/trick-digi...

Breakout indie horror, You Might Be the Killer, which premiered Saturday, October 6 on Syfy, also recently premiered at the Fantastic Fest and is based on an infamous Twitter exchange between authors Sam Sykes and Chuck Wendig. A killer is on the loose at Camp Clear Vista and head camp counselor Sam (Fran Kranz, “The Cabin in the Woods”) needs help. Covered in blood, he calls his best friend Chuck (Alyson Hannigan, “Buffy the Vampire Slayer,” “How I Met Your Mother”), and they tr...

How Marvel Built the VFX in Ant-Man and the Wasp

October 19, 2018, 05:37 AM

http://www.studiodaily.com/2018/10/marvel-built-vf...

See how some of the VFX work in Marvel’s Ant-Man and the Wasp was accomplished — including the task of erasing decades from co-star Michael Douglas’s face — as Wired talks impossible images with Danielle Costa, Marvel’s VP of VFX. The post How Marvel Built the VFX in Ant-Man and the Wasp appeared first on Studio Daily.

ILM’s Rob Bredow to Talk ‘Solo: A Star Wars St

October 17, 2018, 04:42 AM

https://variety.com/2018/film/global/rob-bredow-so...

Even before he was promoted to SVP, executive director and head of ILM in May, Rob Bredow was a very busy man. He joined Industrial Light & Magic in 2014 as a visual effects supervisor, then quickly rose up the ranks, helping to launch ILMxLAB in 2015 to develop and release immersive entertainment, moving into the chief technology officer role at Lucasfilm in 2016 and most recently serving as visual effects supervisor and co-producer of Disney’s “Solo: A Star Wars Story,” working alongside...

Spotlight – Armen Kevorkian

October 17, 2018, 04:42 AM

http://cinefex.com/blog/spotlight-armen-kevorkian/

To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.

The Makeups of "First Man"

October 16, 2018, 06:31 AM

http://cinefex.com/blog/first_man_makeup/

The Cinefex story on First Man – Universal Pictures’ dramatization of the life of astronaut Neil Armstrong – unearthed fascinating details about the production, which resulted in a 9,000-word story featured in our October issue. Director Damien Chazelle’s film told the story of the first man on the moon in a documentary style that required naturalistic approaches to all aspects of production – from production design, to cinematography, costume design, special effects, visual effects an...

After Effects News roundup 2018 October #1

October 11, 2018, 12:33 PM

https://www.provideocoalition.com/after-effects-ne...

Recently in the world of After Effects, there’s been continued discussion of mograph as a tween, counterparts, OS requirements for upcoming Creative Cloud revisions, renaming tools, expressions, motion graphics templates, weekly tips and more.

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