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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Boris FX ships Mocha Pro 2019

October 4, 2018, 04:11 AM

http://www.cgchannel.com/2018/10/boris-fx-ships-mo...

Planar tracking software now includes the 360-degree tracking tools from Mocha VR, supports GPU-accelerated object removal.

Imageworks provides big effects, animation for War

October 3, 2018, 12:36 PM

https://postperspective.com/creating-snow-hair-env...

By Randi Altman The legend of Bigfoot: a giant, hairy two-legged creature roaming the forests and giving humans just enough of a glimpse to freak them out. Sightings have been happening for centuries with no sign of slowing down — seriously, Google it. But what if that story was turned around, Continue reading → October 3, 2018 The post Imageworks provides big effects, animation for Warner’s Smallfoot appeared first on Randi Altman's postPerspective.

VFX and Television

September 30, 2018, 06:32 AM

http://www.cgw.com/Publications/CGW/2018/Volume-41...

Networks, cable television, and streaming programming platforms are all offering a rich pool of visual effects opportunities for studios across the globe. Whether it's women transformed into mermaids, a hit man turned hero who gets help from a CG sidekick, the unraveling of decades-old mysteries and secrets in a small German town, a retired superhero who recharges his powers to aid his community, or another optimistic superhero in a blue tick suit dedicated to saving his city, studios around the...

MPC Film provides VFX for new Predator movie

September 27, 2018, 10:39 AM

https://postperspective.com/mpc-film-provides-vfx-...

From outer space to suburban streets, the hunt comes to Earth in director Shane Black’s reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, Continue reading → September 27, 2018 The post MPC Film provides VFX for new Predator movie appeared first on Randi Altman's postPerspective.

Framestore Names Anthony Gibbs Creative Director

September 27, 2018, 06:27 AM

http://www.studiodaily.com/2018/09/framestore-name...

Framestore has promoted Anthony Gibbs from design director to creative director at the studio’s Los Angeles office. Gibbs joined Framestore in London in 2007 and moved to Los Angeles in 2016 to help develop the company’s design business. He was art director for Valentino “Master of Couture,” developing content for an exhibition at Somerset House […] The post Framestore Names Anthony Gibbs Creative Director appeared first on Studio Daily.

VES Society Names Barron, Cox, Curry, Debevec, Fin

September 27, 2018, 06:27 AM

http://www.studiodaily.com/2018/09/ves-society-nam...

The Visual Effects Society (VES) named a roster of VFX professionals to its latest class of VES Fellows. The 2018 VES Fellows include VFX supervisor Craig Barron, creative director at Magnopus; VFX producer Joyce Cox, creator of Curó; VFX supervisor Dan Curry, computer scientist Paul Debevec, senior scientist at Google VR and adjunct professor of […] The post VES Society Names Barron, Cox, Curry, Debevec, Fink 2018 Fellows appeared first on Studio Daily.

Flash Film Works Creates Visual Effects for ‘Alp

September 26, 2018, 12:24 PM

https://magazine.artstation.com/2018/09/flash-film...

Set during the last Ice Age, Alpha is a new epic adventure that shines a light on the origins of man’s best friend.     

Intel Reaches 1.5TB On New Optane SSD

September 25, 2018, 01:12 PM

https://www.storagereview.com/intel_reaches_15tb_o...

Intel has been steadily working to increase the storage capacity of their Optane (3D XPoint) line of SSDs. Like the rest of their Optane line, the new drives are blisteringly fast with read/write latencies under eleven microseconds. Most recently, they released 905p models in both Half Height Half Length (HHHL) Add-in-Card format and 2.5 x 15mm, Small Form Factor U.2. Both form factors have versions boasting capacities of 960GB and 1.5TB. Large enough to be seriously tempting for enthusiast home...

FALLEN KINGDOM: José Manuel Weil

September 20, 2018, 12:42 PM

http://www.artofvfx.com/jurassic-world-fallen-king...

José Manuel Weil started his career in visual effects in 2007 at Scanline VFX. He worked on 2012, THE AVENGERS, CLOUD ATLAS and SNOWPIERCER. As a VFX supervisor, he took care of the effects of movies like POINT BREAK, THE SHALLOWS and ROGUE ONE: A STAR WARS STORY.

DNeg VFX Breakdown: Black Panther

September 20, 2018, 05:11 AM

http://www.studiodaily.com/2018/09/dneg-vfx-breakd...

DNeg breaks down its work on a scene from Marvel’s Black Panther that switches seamlessly between stars Chadwick Boseman and Michael B. Jordan and their digital doubles in an elaborately choreographed fist-fight on futuristic train tracks. The post DNeg VFX Breakdown: Black Panther appeared first on Studio Daily.

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