It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 3, 2019, 02:21 PM
http://saeditores.org/Novedades/La-SAE-otorgo-el-P...
El jurado, integrado por María Astrauskas (SAE), Flor Efron (SAE) y Gustavo Macri (SAE), premió a Walter Jakob, Mariano Llinás y Alejo Moguillansky por su tarea en "Por el dinero", dirigidapor Alejo Moguillansky.
December 3, 2019, 02:21 PM
http://saeditores.org/Novedades/La-SAE-entrego-el-...
La SAE entregó el Premio al Mejor Montaje en el 17˚ Festival Nacional de Cine de Tandil, que se llevó a cabo entre el 18 y el 24 de noviembre.
December 1, 2019, 05:06 PM
https://digitalfilms.wordpress.com/2019/11/30/term...
“I’ll be back,” has turned out to be more than simply an iconic movie line. Sarah Connor (Linda Hamilton) and the T-800 (Arnold Schwarzenegger) are indeed back to save humanity from a dystopian future in this latest installment of the Terminator franchise. James Cameron is back on board, as well, with writing and producing credits. […]
November 28, 2019, 02:04 PM
https://www.premiumbeat.com/blog/watchmen-nonlinea...
Taking lessons from Watchmen and other classics, we deconstruct how you can harness the nonlinear style for your film projects.
November 28, 2019, 02:02 PM
https://www.studiodaily.com/2019/11/stop-motion-an...
Study the early beginnings of stop-motion filmmaking in just under five minutes with this Vox video looking at the intricate work of Polish-Russian animator Wladyslaw Starewicz, whose early work with dead insect puppets pioneered the art. His later films include The Tale of the Fox (a direct influence on Wes Anderson’s Fantastic Mr. Fox) and […] The post How Stop Motion Animation Began appeared first on Studio Daily.
November 28, 2019, 02:00 PM
https://www.provideocoalition.com/celebrate-the-ho...
Celebrate the holidays by sharpening your photography skills across disciplines such as bird photography, night sky photography and more. Attendees of Sigma workshops will also have the chance to try... The post Celebrate the Holidays with Sigma Dealer Workshops appeared first on ProVideo Coalition.
November 21, 2019, 02:25 PM
http://www.fcp.co/final-cut-pro/articles/2226-chri...
Another superb Final Cut Pro X user story from Ronny Courtens. This time he talks to Chris Hocking from LateNite Films who post produced 'Neighbours - Erinsborough High' on FCPX. How did he convince the production team to use FCPX when the long-running original Neighbours is cut on Avid?
November 18, 2019, 02:16 PM
https://www.premiumbeat.com/blog/what-is-video-edi...
We cover everything you need to know about the Video Editing Supervisor, how to work with one, and how you can become one.
November 18, 2019, 02:15 PM
http://saeditores.org/Novedades/La-SAE-entregara-e...
El jurado, integrado por María Astrauskas (SAE), Flor Efron (SAE), y Gustavo Macri (SAE) otorgará el Premio al Mejor Montaje entre todos los largometrajes argentinos que participan en las secciones Competencia Argentina, Competencia Latinoamericana, Competencia Internacional y Competencia Estados Alterados.
November 16, 2019, 02:14 PM
https://postperspective.com/final-cut-ups-zoe-scha...
Final Cut Edit in LA has promoted Zoe Schack to editor, after working at the studio as an assistant editor for three years. While at Final Cut, Schack was mentored by Final Cut editors Crispin Struthers, Joe Guest, Jeff Buchanan and Rick Russell. Schack has edited branded content and commercials for Audi, Continue reading → November 15, 2019 The post Final Cut ups Zoe Schack to editor appeared first on postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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