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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Blog: How To Break Into VFX

November 16, 2019, 02:13 PM

http://www.postmagazine.com/Post-Blog/2019/Novembe...

NEW YORK CITY - Foundry (foundry.com) and AccessVFX (accessvfx.org) teamed up with the School of Visual Arts (SVA) to present a networking event designed to provide students with advice on how to break into the visual effects industry. The two-hour event took place at SVA in NYC and featured a number of speakers, as well as a classroom full of students pursuing careers in VFX. Foundry's Sarah Leavitt kicked off the event. She serves as head of education and creative services at Fo...

ASSISTANT EDITOR VERSUS EDIT ASSISTANT

November 4, 2019, 02:14 PM

https://www.screeneditors.com.au/assistant-editor-...

What is the difference between an Assistant Editor and an Edit Assistant? The ASE recently put a call-out on Facebook to try and answer this question you didn’t know you needed answered. After a number of responses this is what we have been told so far: The Edit Assistant role is more commonly found in […]

10 Film Production Podcasts You Should Listen To

October 30, 2019, 01:15 PM

https://www.productionhub.com/blog/post/10-film-pr...

As film production professionals, we have long hours. We have incessant shoots, meetings, screenings, etc. We have exhausting days and never-ending nights. Staying in tune with our industry is key. Beyond that, striving to improve our craft is a constant journey. How can we stay up-to-date on the happenings in our industry while combating the restraints of time? Podcasts.

Loupedeck Creative Tool: now there is a Loupedeck

October 30, 2019, 01:14 PM

https://www.provideocoalition.com/loupedeck-creati...

From video or photo editing to music production, graphic and industrial design, the latest Loupedeck tool covers all facets of editing for creative professionals. Meet the Loupedeck Creative Tool. Facing... The post Loupedeck Creative Tool: now there is a Loupedeck for everyone! appeared first on ProVideo Coalition.

Contenders: Ad Astra Editors

October 28, 2019, 01:04 PM

http://www.btlnews.com/featured/contenders-ad-astr...

For editors John Axelrad and Lee Haugen, cutting James Gray’s Ad Astra was a new venture into the world of the film’s epic space journey. In addition to the advent, for a James Gray film, of overarching visual effects, Axelrad and Haugen had to manage a motion picture that was both one man’s intimate story […] The post Contenders: Ad Astra Editors appeared first on Below the Line.

This is animation on a truly epic scale

October 26, 2019, 01:01 PM

https://www.redsharknews.com/production/item/6736-...

Using scientific data, this animation plots a year in the life of the planet earth from Geostationary orbit. AnimationSpaceVimeo

Blog: Accusonus simplifying sound restoration

October 26, 2019, 01:01 PM

http://www.postmagazine.com/Post-Blog/2019/October...

I caught up with Alex Tsilfidis, founder and CEO of Accusonus, at the AES show in New York City recently. The company has a background in technology for hearing aids (as well as beat making and drum mixing) and that expertise has allowed Accusonus to develop a series of audio restoration plug-ins the can solve a number of problems video editors often encounter. Photo (L-R): Post's Marc Loftus and Accusonus' Alex Tsilfidis The company currently offers six...

MONTAGE WARS – SA

October 24, 2019, 01:01 PM

https://www.screeneditors.com.au/montage-wars-sa/

Montage Wars is Adelaide's first video editing competition! Six emerging Editors will compete to show off their editing artistry and speed. Each will have two hours to edit a music video. Join us for a fun, live and interactive event where you get to witness the edits emerging from the raw media while enjoying the […]

The gritty and realistic sounds of Joker

October 24, 2019, 01:01 PM

https://postperspective.com/the-gritty-and-realist...

By Jennifer Walden The grit of Gotham City in Warner Bros.’ Joker is painted on in layers, but not in broad strokes of sound. Distinct details are meticulously placed around the Dolby Atmos surround field, creating a soundtrack that is full but not crowded and muddy —it’s alive and clear. “It’s critical to try to create a real feeling world so Arthur (Joaquin Phoenix) is that much more real, Continue reading → October 23, 2019 The post The gritty and realistic sounds of Joker ...

Night of the Demons (1988)

October 24, 2019, 01:00 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I've never heard so many disgusting stories in all my life.” — Judy Cassidy ...

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