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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How Gradient Effects De-Aged John Goodman for The

October 23, 2019, 01:07 PM

https://www.studiodaily.com/2019/10/gradient-effec...

The first season of HBO’s The Righteous Gemstones, a comedy about a family of televangelists presided over by Eli Gemstone (John Goodman), pivoted around a mid-season flashback episode, “Interlude,” that turned the clock back to 1989 in order to flesh out the background behind the show’s character dynamics. To achieve the de-aging effects that made Goodman look […] The post How Gradient Effects De-Aged John Goodman for The Righteous Gemstones appeared first on Studio Daily.

ART OF THE CUT on editing “Zombieland: Doubletap

October 23, 2019, 01:06 PM

https://www.provideocoalition.com/aotc-zombieland-...

Dirk Westervelt, ACE is an ACE Eddie nominee for his work on Deadpool 2. His filmography also includes Logan – which was a previous Art of the Cut interview – Run All Night, and Journey to the Center of the Earth. Chris Patterson has been associate editor on An Unfinished Life, Casanova, and Sunshine Cleaning... The post ART OF THE CUT on editing “Zombieland: Doubletap” appeared first on ProVideo Coalition.

Landscapes of Sound: An Interview with Mandell Win

September 29, 2019, 06:49 PM

https://www.premiumbeat.com/blog/industry-intervie...

Premium Beat sat down with this seasoned pro to explore his process, working relationships, and the challenges involved in sound design.

Coaching montage

September 28, 2019, 05:01 PM

https://journaldunemonteuse.wordpress.com/2019/09/...

En ce moment je coach Manon qui souhaite monter le film documentaire qu’elle a tourné pendant deux ans dans une maison de quartier et Vladimir qui aborde son premier montage avec un réalisateur et qui souhaite anticiper les problèmes. Avec … Lire la suite →

How to Create Text Effects and Animations in Premi

September 21, 2019, 03:58 PM

https://www.premiumbeat.com/blog/text-effect-premi...

When you're getting into text effects and animations, workspace is important. Master your motion graphics workflow in Adobe Premiere Pro with these tips.

Watch a whole ton of official ‘Endgame’ VFX br

September 7, 2019, 10:47 AM

https://beforesandafters.com/2019/09/07/watch-a-wh...

Now that the home entertainment release of Avengers: Endgame has occurred, many VFX studios, and Marvel itself, have been able to post visual effects breakdown reels of their work from the film.

FilmConvert Nitrate: 19 classic film stocks and Ci

September 5, 2019, 05:54 AM

https://www.provideocoalition.com/filmconvert-nitr...

Premiere Pro and After Effects now, Final Cut Pro X and DaVinci Resolve by the end of 2019. That’s the roadmap for FilmConvert Nitrate, a plugin to create your own Pleasantville and much more. Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes they want more control over the final image.... The post FilmConvert Nitrate: 19 classic film stocks and Cineon Log film emulations appeared first on ProVideo Coalition.

ART OF THE CUT with Oscar nominee, Sandra Adair, A

September 3, 2019, 01:10 PM

https://www.provideocoalition.com/art-of-the-cut-w...

Sandra Adair, ACE, has a lengthy list of awards, starting with an ACE Eddie nomination for editing School of Rock (2004), and including an ACE Eddie win and an Oscar nomination for Boyhood (2014). Starting work as an assistant editor in the mid-70s, she graduated to the editor’s chair and also worked on features such... The post ART OF THE CUT with Oscar nominee, Sandra Adair, ACE appeared first on ProVideo Coalition.

Let’s Edit with Media Composer – Getting Start

September 3, 2019, 09:12 AM

https://www.provideocoalition.com/lets-edit-with-m...

In this lesson, Kevin P McAuliffe gives you a great introduction to the awesome Particle Illusion effect, included in the 2019.5 version of Continuum from Boris FX. We’re going to look at adding this effect to a real world scenario, and the end result shows that this effect can add an additional layer of realism... The post Let’s Edit with Media Composer – Getting Started with Particle Illusion appeared first on ProVideo Coalition.

Sound Devices Announces MixPre II Recorders

September 3, 2019, 05:48 AM

https://www.cinema5d.com/sound-devices-announces-m...

Sound Devices has just announced an update to its MixPre series of field recorders: the MixPre II. These new recorders keep the same form factor as the previous generation, and most of the improvements are under the hood. Let’s take a closer look!

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