It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 14, 2017, 05:27 AM
http://designingsound.org/2017/05/sunday-sound-tho...
This month’s theme “Sound Language & Lingo” made me think a lot about how the communication went on some of my projects. Even though there’s some more or less established lingo when it comes to describing sounds & talking about audio with other members of the community, using the same language while discussing audio with clients […]
May 13, 2017, 06:49 AM
http://www.studiodaily.com/2017/05/siggraph-2017-t...
With springtime comes the annual preview video summarizing SIGGRAPH’s technical paper line-up. Some lovely visual effects and highly advanced image processing going on here, but our favorite “wow” moment here is the one where changes are made to audio voiceover tracks simply by typing in new text. What’s yours? The post SIGGRAPH 2017: Technical Papers Preview Trailer appeared first on Studio Daily.
May 13, 2017, 06:48 AM
http://www.cartoonbrew.com/shorts/beautiful-side-u...
Nikita Diakur’s short, Ugly, is called that for a reason. The experimental animated film, which follows a Native American Chief and a cat named Ugly, was made with deliberately ‘faulty’ dynamics.
May 12, 2017, 01:53 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Deluxe’s Method Studios (www.methodstudios.com) served as a primary VFX vendor for Marvel’s new Guardians of the Galaxy Vol. 2 film, having completed work on more than 500 shots, including the final closeup on Rocket. Set to the backdrop of Awesome Mixtape #2, the film continues the adventures of Peter Quill, Gamora, Drax, Groot and Rocket as they unravel the mystery of Peter’s true parentage.
May 12, 2017, 01:52 PM
http://www.hollywoodreporter.com/behind-screen/baf...
BAFTA’s virtual reality advisory group has unveiled its inaugural VR Summer Showcase, which includes projects from Jon Favreau and Doug Liman.
May 12, 2017, 01:28 PM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: How Clemson Athletics Creates Video for Social Media • Vinnie Hobbs Interview and NAB Show Presentation • Free Cross Spin Transition • New Essential Graphics Tutorials
#editing#adobe#premiere pro#tutorials#creative cloudMay 12, 2017, 01:26 PM
http://www.premierebro.com/blog/10-practical-prefe...
Premiere Pro gives editors a lot of choices when it comes to customizing their editing workflow. The 10 preferences in this blog post are particularly practical, and focus on working with media in the Project and Timeline panels. Understanding these preferences will help you edit faster and more efficiently in Premiere Pro.
#editing#adobe#premiere pro#creative cloud#preferencesMay 12, 2017, 04:46 AM
https://journaldunemonteuse.wordpress.com/2017/05/...
Ma version du film fait 56 minutes. Je dois / nous devons, « descendre » / « tomber » / « couper » pour arriver à 52 minutes. C’est l’heure des (mauvais) choix. Faut-il faire, à un moment, les mauvais choix pour s’assurer qu’au contraire nous … Lire la suite →
May 12, 2017, 04:46 AM
https://edaeditores.org/docmontevideo-convocatoria...
Desde 19 y el 28 de Julio se celebrará por octavo año el Encuentro documental de las televisoras latinoamericanas: DocMontevideo. Nuestra socia Andrea Kleinman (EDA – SAE) brindará un workshop y masterclass dentro del marco del DocMontevideo. El Rough Cut Lab es una actividad de DocMontevideo, dirigida a editores con el objetivo de reflexionar sobre el […]
May 12, 2017, 04:46 AM
https://edaeditores.org/eda-presenta-19-327-cuader...
Los últimos miércoles de cada mes, la EDA – Asociación Argentina de Editores Audiovisuales presenta su ciclo mensual de cine, EDA Presenta, en donde se proyectan películas argentinas de los últimos años, en las cuales el montaje es preponderante. Al final de cada proyección, realizamos un encuentro con el director y los editores de la […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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