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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects Hidden Gems: Set First Vertex

May 18, 2015, 04:21 PM

http://www.provideocoalition.com/after-effects-hid...

A common trick is to use the Stroke effect to wipe on a line along a mask path. You can do the same using the Trim Paths operator for a shape layer. But, how can you control where that path starts and ends? The secret is understanding the First Vertex Point. If you drew a mask or shape path by hand, this is where you first clicked with the Pen tool. But if the path was created automatically - say, by converting a text layer into outlines - this first point is determined by the software, not you.

‘Live from New York’…. it’s Mari, the doc

May 18, 2015, 12:51 PM

http://postperspective.com/live-new-york-mari-docs...

Kristine Pregot, a long-time post supervisor who is now a senior producer at New York City’s Nice Shoes, sat down with Mari Keiko Gonzalez to chat about the editorial process on Live from NY, an 81-minute documentary focusing on the 40-year history of the iconic television show Saturday Night Live, particularly the early years.

Marcelo Charras ganó el premio a “Mejor Montaje

May 18, 2015, 12:50 PM

http://www.edaeditores.org/charras-mejor-montaje-5...

Un jurado integrado por los socios Vanina Milione (EDA), Verónica de Cata (EDA) y Laura Fuente Ramos (EDA) evaluó los largometrajes argentinos en competencia preseleccionados por el 5º Festival Internacional de Cine Social de Concordia, y por decisión unánime, determinó el premio EDA a “Mejor Montaje”: para Marcelo Charras por el montaje del film La Paz en Buenos Aires, dirigido por el […]

Three Quick Tips For Editing in Premiere Pro

May 18, 2015, 09:55 AM

http://www.premiumbeat.com/blog/three-quick-tips-f...

Problem solving leads to new skills. Here are three things I've learned recently while editing in Premiere Pro.

Misha Tenenbaum on THE Soft Skills

May 18, 2015, 09:54 AM

http://www.mentorless.com/2015/03/20/misha-tenenba...

Misha Tenenbaum went on an interesting journey from dreaming of moving to Los Angeles to doing so and learning the soft skill that made a difference for him

Why Freelancers Are So Depressed

May 17, 2015, 01:36 PM

http://www.fastcompany.com/3006208/why-freelancers...

When Freelancers Union founder Sara Horowitz created a health plan for independent workers, a top concern of her members was access to mental health care. "You work with coal miners and you learn everything there is about black lung," Horowitz told the Village Voice last week. "You work with freelancers and you learn about depression."

Art of the Cut with Fabienne Bouville, ACE

May 17, 2015, 09:05 AM

http://provideocoalition.com/art-of-the-cut-with-f...

Fabienne Bouville,  ACE, will be among a select group of editors featured in Manhattan Edit Workshop’s Sight, Sound and Story event on June 13th featuring the likes of Michael Barenbaum, ACE, William Goldenberg (Oscar Winner), and Sydney Wolinsky, ACE.  Bouville’s been working consistently in scripted TV with stints as an editor on “Nip/Tuck,” “Glee,” “American Horror Story” and “Masters of Sex.”  

SSDs are now as big as hard disks - but they won'

May 17, 2015, 09:04 AM

http://www.redsharknews.com/production/item/2580-s...

These are the biggest SSDs we've seen so far SSDSolid StateSolid state drive6TB SSDFixtars

Editing Video in Photoshop

May 16, 2015, 02:00 PM

http://www.cgmeetup.net/home/editing-video-in-phot...

We show you how to edit video in photoshop! When it comes to editing video, people usually think Premiere Pro, Final Cut and all the other amazing video editing softwares out there. But what many people might not know is that photoshop does offer video editing! In our next couple episodes, we’ll be going over the basics of video editing in photoshop. Everything from importing your footage to rendering out a final video. All done in photoshop.

Transcript: Digital Production Buzz – May 14, 20

May 15, 2015, 02:11 PM

http://www.digitalproductionbuzz.com/2015/05/trans...

GUESTS Mark August, President, Society of Camera Operators Iain Richardson, CEO, Beamshare Seth Worley, Filmmaker , Red Giant The post Transcript: Digital Production Buzz – May 14, 2015 appeared first on Digital Production BuZZ.

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