Emmy Watch: Editor Luyen Vu, American Crime

May 14, 2015, 09:28 AM

http://www.btlnews.com/awards/emmy-watch-editor-lu...

The pilot for American Crime was editor Luyen Vu’s first experience working with Oscar-winning writer and executive producer, John Ridley (12 Years a Slave), who also directed the opener. The pair met a couple of times to discuss the project and Vu was shown the feature that Ridley made right before taking on the pilot, which had an editorial style that Ridley liked.

Wacom Cintiq Companion 2 review

May 14, 2015, 09:26 AM

http://www.creativebloq.com/digital-art/wacoms-lat...

Usually, a review is designed to help you know which from a range of competing products you should choose. That's not really the case here, however, because the Cintiq Companion 2 doesn't actually have any competitors.

Look At My Video

May 13, 2015, 02:16 PM

http://www.creativeimpatience.com/look-at-my-video...

The days of using Vimeo or Dropbox for video review are very quickly coming to an end. True, it still works, and in many cases it is still free of charge, but the only thing that either of these two offers is the ability to play the uploaded video files … see more →

Charting a Course for an Avid 4K Finish

May 13, 2015, 02:15 PM

http://www.studiodaily.com/2015/05/avid-4k-finish/

In an effort to protect some of the last wild places in the world's oceans, National Geographic launched Pristine Seas, a series of expeditions and affiliated research to locate, assess and ultimately shelter those waters most at risk. The first … more » The post Charting a Course for an Avid 4K Finish appeared first on Studio Daily.

The Art of the Cut: With Andy Grieve, editor of "

May 13, 2015, 02:15 PM

http://www.provideocoalition.com/the-art-of-the-cu...

First Assistant Editor on Hollywood feature film F

May 13, 2015, 09:25 AM

http://www.fcp.co/final-cut-pro/articles/1664-firs...

We all know about the workflow used on the feature film Focus. But what about the directors' next film that they are working on? Kevin Bailey gives an insight into how the Hollywood feature film Fun House is organising its footage in FCPX.

How Do We Communicate Ideas? The Philosophy of Wit

May 13, 2015, 09:24 AM

http://www.improv.no/how-do-we-communicate-ideas-t...

Ludwig Wittgenstein was a philosopher obsessed with the difficulties of language, who wanted to help us find a way out of some of the muddles we get into with words. […]

Documenting the bugs in Final Cut Pro 10.2

May 13, 2015, 09:24 AM

http://www.fcp.co/final-cut-pro/articles/1663-docu...

As much as we love the 10.2 update to Final Cut Pro X, it isn't perfect. The new additions such as the 3D Text titles are lovely, but the update also brought a range of bugs. Here a a few of the annoying ones!

Cinema 2.0: Microcinema Manifesto: #cinehack

May 13, 2015, 09:23 AM

http://www.raindance.org/cinema-2-0-microcinema-ma...

Cinema 2.0 is A NEW APPROACH TO DIY FILM PRODUCTION, MARKETING and DISTRIBUTION working outside of the accepted mainstream cinema industry. It's about leveraging your peer-to-peer marketing and online digital distribution for your own original cinema making your authentic, artisanal and original programming for enjoyment worldwide.

One of my top 5 video edits of my career

May 12, 2015, 04:34 PM

http://blogs.nppa.org/editfoundry/2015/05/12/one-o...

Have you edited a story that gets people talking? Whether it impacts lives, wins awards, or people just watch it over and over to learn. This entry is about that type of story. If I were to rank edits I did over the past 20 years, this is in the top five.