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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Socixs de la SAE asistieron a la presentación de

May 13, 2019, 05:58 AM

http://saeditores.org/Novedades/Socixs-de-la-SAE-a...

El pasado jueves 9 de mayo socixs de la SAE asistieron a un evento organizado por SVC donde Diego Yhamá, de Blackmagic Design, expuso las novedades del DaVinci Resolve 16.

Burbank-based Barnstorm VFX Studio Expands to Vanc

May 11, 2019, 07:12 AM

https://variety.com/2019/artisans/news/silicon-val...

Barnstorm VFX, the company behind the visual effects on Amazon Studios’ “The Man in the High Castle” (pictured above), “HBO’s Silicon Valley” and CBS’ “Strange Angel,” has opened a new facility in Vancouver, British Columbia. The move positions the boutique digital effects, design and production shop to take advantage of expanding work north of the border as well as British Columbia’s highly competitive tax incentives.

TALKING EDITING – SYDNEY FILM FESTIVAL

May 9, 2019, 03:56 AM

https://www.screeneditors.com.au/talking-editing-s...

Vivid Ideas and SFF Present Talking Editing In conjunction with the Sydney Film Festival and Vivid Sydney, the ASE invites  you to meet two of Australia's master Editors who will be discussing their films featured in the 2019 Sydney Film Festival. Nick Meyers ASE ("Palm Beach") and Dany Cooper ASE ("Judy & Punch") will be […]

ACE Eddie Awards Moved Forward Three Weeks

May 8, 2019, 03:58 AM

https://variety.com/2019/film/news/ace-eddie-award...

The American Cinema Editors organization has moved the 70th Annual ACE Eddie Awards forward by three weeks to Jan. 17.

ART OF THE CUT WITH “Pet Sematary” editor, Sar

May 2, 2019, 09:17 AM

https://www.provideocoalition.com/aotc-pet-sematar...

Sarah Broshar started as an editorial assistant on Sky Captain and the World of Tomorrow in 2004. Broshar was editing by 2009, but her big break was as an assistant editor on Steven Spielberg’s Adventures of Tin Tin under legendary editor, Michael Kahn, ACE. On Spielberg’s Bridge of Spies she moved up to Additional Editor... The post ART OF THE CUT WITH “Pet Sematary” editor, Sarah Broshar appeared first on ProVideo Coalition.

ART OF THE CUT WITH Martin Bernfeld, editor of “

April 26, 2019, 12:45 PM

https://www.provideocoalition.com/aotc-hellboy/

Martin Bernfeld has been editing features for 15 years, including Project Almanac, Paranormal Activity: The Ghost Dimension, Power Rangers, The Babysitter, and Bent. For this interview, I talked with Martin about his latest film, Hellboy. (This interview was transcribed with SpeedScriber. Thanks to Martin Baker at Digital Heaven) HULLFISH: What was post-production schedule like? When did they... The post ART OF THE CUT WITH Martin Bernfeld, editor of “Hellboy” appeared first on ProVid...

Midtown Video post NAB 2019 live event covers NewT

April 26, 2019, 10:53 AM

https://www.provideocoalition.com/midtown-video-po...

Earlier this week, Miami-based leading pro video dealer and rental house, Midtown Video, hosted a live event, in person and on the Internet, for instant global consumption. The 43-minute, multi-camera event focused on —and employed— some new technologies released NAB 2019 from LiveU (streaming encoders, now featuring H.265/HEVC) and NewTek, including two I had previously... The post Midtown Video post NAB 2019 live event covers NewTek + LiveU appeared first on ProVideo Coalition.

Saving the Theatrical Experience

April 25, 2019, 06:20 AM

http://endcrawl.com/blog/saving-theatrical-experie...

During the 1982 Cannes Film Festival, director Wim Wenders set up a 16mm camera and tape recorder in a room at the Hotel Martinez, then invited a lineup of world-class filmmakers to sit next to a television and answer the question “Is cinema a language about to get lost, an art about to die?”

Lost Boys graduates enter into VFX workforce

April 24, 2019, 05:28 AM

http://www.postmagazine.com/Press-Center/Daily-New...

MONTREAL — Lost Boys Studios’ Montreal School of Visual Effects (Campus D’Effets Visuels), which recently marked its first full year in operation, has successfully placed a number of students into VFX industry positions. The Montreal School’s (https://lostboys-studios.com) first group of students – those who graduated in October 2018 - are now working at studios that include Meduzart, Mill Film and MPC. The School’s second group of students, who began training in November, will g...

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