It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 24, 2019, 05:27 AM
https://cuttingroomtales.wordpress.com/2019/04/24/...
There’s a question that’s on the lips of virtually no screenwriter. So how is that a good subject for a blog? Because, while they rarely ask it openly, it’s a question all writers will have asked themselves privately at some point in their career. And it is: What should I write? Whether you take that […]
April 24, 2019, 05:26 AM
http://www.philiphodgetts.com/2019/04/there-are-no...
We rightly focus on the “big” decisions of life: high school major, college choice, partner, where to live, what job to take, etc. These are important decisions and will affect your future. The funny thing is, some of the smallest decisions I’ve made, have had the biggest affect on my life. Deciding to leave a […]
April 23, 2019, 06:15 AM
http://www.studiodaily.com/2019/04/editing-spider-...
“Animation is an iterative process, and it’s changing every step of the way,” said editor Robert Fisher Jr. at NAB earlier this month, discussing the creative collaboration that brought the widely acclaimed animated feature Spider-Man: Into the Spider-Verse to movie theater screens last year. To illustrate his point, Fisher came to a Monday morning panel […] The post Editing in the Spider-Verse: How Key Scenes Changed on the Way to the Screen appeared first on Studio Daily.
April 22, 2019, 06:23 AM
https://beforesandafters.com/2019/04/22/going-back...
PLEASANTVILLE VISUAL EFFECTS SUPERVISOR CHRIS WATTS ON BRINGING THROUGH A REVOLUTION IN SCANNING/FILM-OUTS, THE UNEXPECTED USE OF SHAKE, AND THE FILM’S HARDEST SHOTS (THEY’RE NOT WHAT YOU THINK).
April 21, 2019, 07:28 AM
https://www.screeneditors.com.au/mining-the-story-...
Trybooking link: https://www.trybooking.com/book/event?eid=494674
April 20, 2019, 04:58 AM
http://saeditores.org/Novedades/Convocatoria-a-la-...
El Consejo Directivo de la Sociedad Argentina de Editores Audiovisuales Asociación Civil, SAE, convoca a lxs asociadxs a la Asamblea General Ordinaria que se celebrará el día sábado 27 de abril de 2019 a las 10:00 horas en el local sito en Juncal 2029 de la Ciudad Autónoma de Buenos Aires...
April 20, 2019, 04:58 AM
https://www.screeneditors.com.au/show-us-what-you-...
South Australian Editors! Submit your latest work-in-progress edit, or finished film, TV commercial, corporate, documentary, music video, ANYTHING you have made, to screen at our showcase. Playing on the big screen at the South Australian Film Corporation on June 3rd from 6pm-9pm. You have 10 minutes to play your film, and tell us a little […]
April 19, 2019, 05:46 AM
http://www.philiphodgetts.com/2019/04/resolve-16-a...
While I’m still to see a demo, there are few announced features that I definitely think are in the right direction, particularly those driven by Resolve’s “Neural Engine.” It seems, like Adobe Sensei and Apple’s CoreML, to be a playback engine that implements the Machine Learning models in practical tools. Improved retiming, facial recognition, color […]
April 17, 2019, 06:23 AM
http://www.studiodaily.com/2019/04/stop-motion-mov...
Insider goes behind the scenes at Laika to look at the making of Missing Link — from voice recording to set building, puppet fabrication and animation — and why Link turned out to be the most complicated puppet in the studio’s history. The post How Stop-Motion Movies Are Animated at the Studio Behind Missing Link appeared first on Studio Daily.
April 17, 2019, 06:23 AM
https://postperspective.com/color-chat-light-irons...
Sean Dunckley joined Light Iron New York’s studio in 2013, where he has worked on episodic television and features films. He finds inspiration in many places, but most recently in the photography of Steven Shore and Greg Stimac. Let’s find out more… NAME: Sean Dunckley COMPANY: LA- and NYC-based Light Iron CAN YOU DESCRIBE YOUR COMPANY? Continue reading → April 16, 2019 The post Color Chat: Light Iron’s Sean Dunckley appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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