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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How They Made ‘2001: A Space Odyssey’

April 13, 2018, 08:59 AM

https://filmschoolrejects.com/how-they-made-2001-a...

Michael Benson subtitles his behind-the-scenes account of 2001: “Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece.” Anniversaries have become moments for sanctioned reflection, and this moment, in particular, has given many a reason to make pilgrimage again to the church of Kubrick and all his symmetrical lines. Benson, who used to make documentaries about struggling Eastern European artists but has spent much of the past few decades evangelizing space exploration, turns to...

How Spielberg’s VFX Team Recreated The Shining

April 12, 2018, 09:41 AM

http://www.indiewire.com/2018/04/ready-player-one-...

For Industrial Light & Magic, realizing the virtual reality of The OASIS from “Ready Player One” became an eerie trip down memory lane, as they recreated the “Back to the Future” DeLorean and the “Jurassic Park” T-Rex, among other iconic ’80s goodies.

MUTE: Marty Waters - VFX Supervisor - The Senate V

April 12, 2018, 09:41 AM

http://www.artofvfx.com/mute-marty-waters-vfx-supe...

Marty Waters joined The Senate VFX in 2010. He worked on films like CAPITAIN AMERICA: THE FIRST AVENGER, TOTAL RECALL, THE MONUMENTS MEN and MALEFICENT. As a VFX Supervisor, he took care of the effects of shows such as DOWNTON ABBEY, BLACK MIRROR and KINGSMAN: THE GOLDEN CIRCLE.

3D Artist - Animation, Models, Inspiration & Advic

April 12, 2018, 06:11 AM

https://www.3dartistonline.com/news/2018/04/textur...

Want to boost your Mari skills? Well why not learn from top texture artists at Ubisoft, ILM and Weta! Learn how to upgrade skin, handle materials, project textures and paint scales for Tyrannosaurus rex with our cover artist Keita Okada!

THE MAGICIANS - Season 3: VFX reel

April 10, 2018, 09:20 AM

http://www.artofvfx.com/the-magicians-season-3-vfx...

Vancouver based studio CVD VFX presents their work on the third season of THE MAGICIANS...

2018 #NABShow: Creative Master Series: The VFX Wiz

April 7, 2018, 04:37 PM

http://www.broadcastbeat.com/2018-nabshow-creative...

We all have heard and most of us have seen Stranger Things 2, when stats inform us that it’s first episode averaged over 15 million viewers in the first three days of its release! Now, at #NABShow attendees can take a peek at the visual artistry of the behind the scenes work to this 18 ...

Justin Timberlake - Supplies VFX Breakdown

April 7, 2018, 05:57 AM

http://www.cgmeetup.net/home/justin-timberlake-sup...

Rodeo FX was tagged to create the visual effects for Justin Timberlake’s video for ‘Supplies’, for which our Advertising team delivered over 100 visual effects shots in under one month of production.

MAZE RUNNER - THE DEATH CURE - VFX Supervisor

April 5, 2018, 09:24 AM

http://www.artofvfx.com/maze-runner-the-death-cure...

Chris White began his visual effects career more than 23 years ago at Industrial Light & Magic. He has worked on films such as MARS ATTACKS!, THE LOST WORLD, JURASSIC PARK, THE PERFECT STORM and STAR WARS: EPISODE II – ATTACK OF THE CLONES. In 2003, he joined Weta Digital and worked on KING KONG, AVATAR, RISE OF THE PLANET OF THE APES and THE HOBBIT trilogy.

THE MAN WHO KILLED DON QUIXOTE

April 5, 2018, 09:24 AM

http://www.artofvfx.com/the-man-who-killed-don-qui...

Oh yes! Here is the trailer for THE MAN WHO KILLED DON QUIXOTE by Terry Gilliam...

Secret Cinema – A New Life Awaits You

April 5, 2018, 05:05 AM

http://cinefex.com/blog/secret-cinema-a-new-life-a...

We met at the top of the escalators in Canning Town Tube Station, London. Two of us had experienced something like this before, while the third was a newbie. We were all excited and slightly apprehensive. My pockets contained some old cassette tapes and photos – my precious photos. Chris had some seeds and Stephen wore gloves. Why had we brought them? Would we need them for what lay ahead?

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