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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Weta Digital talks about Maze Runner: The Death Cu

March 27, 2018, 09:33 AM

https://www.3dtotal.com/interview/1243-amazing-tec...

Weta Digital returns to the Maze Runner cinematic franchise where experimentations on immune youth are seen as the means to developing an antidote for a zombie-inducing virus that has desecrated the human population.

Spotlight – Andrew Whitehurst

March 27, 2018, 09:32 AM

http://cinefex.com/blog/spotlight-andrew-whitehurs...

To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.

Working with 360 Videos in Motion by Mark Spencer

March 23, 2018, 12:37 PM

https://www.provideocoalition.com/working-360-vide...

This week on MacBreak Studio, I talk with Ripple Training’s Steve Martin about the 360 toolset in Motion.

NAB 2018: Artificial Intelligence in the spotlight

March 23, 2018, 12:37 PM

https://www.provideocoalition.com/nab-2018-artific...

The hype around Artificial Intelligence is a fact, but there are real solutions usable here and now. NAB 2018 will be the place to discover what the future will bring and the changes we’re already going through.

Galactic Frontline VFX Artist Invited to Speak at

March 23, 2018, 03:14 AM

https://www.prnewswire.com/news-releases/galactic-...

SAN FRANCISCO, March 22, 2018 /PRNewswire/ -- The lead VFX artist from Galactic Frontline, Zhang 'Abel' Shaoyong was invited as one of the speakers to deliver a presentation at GDC 2018.

Supersphere debuts VR flypacks at NAB 2018

March 22, 2018, 12:17 PM

https://www.provideocoalition.com/supersphere-debu...

Immersive live streaming flypacks from Supershere make it to NAB 2018, while the company announces a partnership with Teleos Media enabling integrated VDN and live encoding.

Spotlight – Eric J. Robertson

March 22, 2018, 09:26 AM

http://cinefex.com/blog/spotlight-eric-j-robertson...

To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.

Cable Girls Seaon 2 VFX Breakdown

March 22, 2018, 06:35 AM

http://www.cgmeetup.net/home/cable-girls-seaon-2-v...

Entropy Studio – Produced by Netflix in collaboration with Bambú Producciones

ANNIHILATION: Andrew Whitehurst - Overall VFX Supe

March 21, 2018, 09:32 AM

http://www.artofvfx.com/annihilation-andrew-whiteh...

Andrew Whitehurst began his visual effects career in 2003 at Framestore. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.

VFX for SCANDAL & HOW TO GET AWAY WITH MURDER

March 21, 2018, 04:21 AM

https://library.creativecow.net/Golden_Sherri/VFXL...

VFX Legion (www.vfxlegion.com) recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. The storylines of the political thriller and legal drama intersect in the back-to-back two-hour event, which premiered March 1st on ABC and continues to rank as a streaming favorite on Hulu.

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