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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

DaVinci Resolve 10 Used for Advanced Color on Holl

March 24, 2014, 09:28 PM

http://www.broadcastbeat.com/index.php/davinci-res...

(Fremont, California–March 24, 2014) Blackmagic Design today announced that DaVinci Resolve 10 was used by freelance colorist Mark Todd Osborne for advanced color on the Hollywood film “Need for Speed.” Osborne worked at LA based production and post company Bandito Brothers’ state of the art facility on the 2K DI color for various screenings and […]

DaVinci Resolve 10

March 20, 2014, 08:54 PM

http://digitalfilms.wordpress.com/2014/03/20/black...

Last NAB, Blackmagic Design caused everyone to perk up when it touted Resolve 10 as an online editor. Once it was released, it became a bit more obvious that Resolve was still primarily a color corrector, but one that also added editing features. This latest update has been out for a number of months (including […]

Understanding LUTS in Color Grading

March 20, 2014, 03:10 PM

http://www.premiumbeat.com/blog/understanding-luts...

Download these free film print emulation LUTS and learn more about how to use them in your video projects.

Learn the Basics of Color Correction

March 19, 2014, 07:53 AM

http://dvcreators.net/learn-the-basics-of-color-co...

Learn the Basics of Color Correction with a Free Video Tutorial | DVcreators.net

PRUEBA: DaVinci Resolve 10.1.2 vs. 10.1.3 con arch

March 19, 2014, 07:53 AM

http://www.finalcutpro.es/2014/03/prueba-davinci-r...

La nueva versión 10.1.3 de DaVinci Resolve incorpora debayering por GPU de los archivos RED RAW .r3d. Os enseñamos como activar la nueva opción y la mejora real de rendimiento del programa con respecto a la versión anterior, gracias al uso de la tarjeta gráfica. Podéis bajar la versión gratuita del programa (Lite) en la […]

PowerColor Radeon R7

March 9, 2014, 01:16 PM

http://www.legitreviews.com/powercolor-radeon-r7-2...

Last month AMD released the Radeon R7 250X, an entry level discrete graphics card that is part of the Radeon R7/R9 ‘new’ product line. The AMD Radeon R7 250X sells for around $99 and fills the small gap between the AMD Radeon R7 250 at $89 and the the Radeon R7 260 at $109. The next step up from that is the Radeon R7 260X that goes for between $119 with 1GB of memory to $129 for 2GB of memory. This means that AMD now has offerings on the market at $10 price increments between $89 to $129! Th...

TV Drama Color Grading Workflow in Baselight

March 4, 2014, 08:20 PM

http://www.premiumbeat.com/blog/tv-drama-color-gra...

Baselight is a powerful color grading platform used in professional film, commercial and TV work. In this post, we share a workflow for achieving a dramatic color look using Baselight.

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