It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 8, 2014, 08:23 AM
http://vanhurkman.com/wordpress/?p=2931
This is just a quick post as I’m out of the country and about to take my first meaningful vacation in two years. DaVinci recently released version 10.1 of Resolve, with a bunch of great new features; not wanting to rerecord my just-finished “Resolve 10 In-Depth” title for Ripple that runs four hours and covers everything that’s new as of 10.0.2, I thought I’d make things easy for everybody and record a set of free tutorials that only cover the very newest features in 10.1, so that ever...
February 7, 2014, 12:53 PM
https://area.autodesk.com/blogs/discreetuk/colour-...
Hi All, I hope that everyone is well and your January is going pretty well so far with all your productions are running smoothly. Here is a video that I created that relates to a few user questions regarding the Colour Warper and the Mid-Tones Trackball. The Colour Warper:The Mid-Tones Trackball In this video, we take a close look at the workflow of using the Mid-Tones Trackball in the Colour Warper. At first, it seems that it functions like the Highlights and Shadows Trac...
February 6, 2014, 11:51 AM
http://www.redsharknews.com/technology/item/1450-t...
DaVinci Resolve 10 is one of the applications that has been optimised to run on the new Mac Pro and now, thanks to Dado Valentic from Mytherapy, we can see just how fast it runs ResolveMac ProJigsaw24MytherapyREDF65F55
January 31, 2014, 05:25 AM
http://www.finalcutpro.es/2014/01/noticia-la-corre...
Blackmagic Design anunció en el día de hoy que la posproductora Company 3 London ha finalizado la edición de “Jack Ryan: Operación Sombra” con DaVinci Resolve. El reboot de la franquicia de Paramount Pictures basada en el personaje del exitoso escritor Tom Clancy contó con un alto presupuesto y fue dirigida por Kenneth Branagh. “Operación Sombra” es una película de acción vertiginosa cuya trama […]
January 29, 2014, 05:45 AM
http://moviesincolor.com/post/74911262834/steven-s...
Steven Soderbergh Week Behind The Candelabra, 2013...
January 28, 2014, 05:34 AM
http://soundandpicture.com/2014/01/eyeheight-legal...
London, England — January 27, 2014 – Eyeheight LE-2M legalisers and CC-2M colour correctors have contributed to the successful production of the latest I’m a Celebrity – Get Me Out of Here series, broadcast on ITV in the UK and channel 3e in Ireland. Eyeheight legalisers are also being used during the German follow-on series Ich bin ein Star – Holt Mich Hier Raus! which is currently being transmitted by RTL.
January 25, 2014, 02:51 PM
http://www.cinema5d.com/news/?p=22991
Shooting flat has huge advantages; it preserves maximum information for post production. However, shooting like this can make monitoring more difficult. It can be tricky to gauge color and exposure. It can be difficult for critical focus and focus aids such as peaking also, as there’s less contrast in the frame to work with. It can also be disconcerting for an on-site client; having to constantly explain “it won’t look like this in post, honest”.
January 24, 2014, 06:08 AM
http://digitalfilms.wordpress.com/2014/01/24/color...
It’s time to dive into some of the terms and concept that brought up modern color correction software. First of all – color grading versus color correction. Many use these terms to identify different processes, such as technical shot matching versus giving a shot a subjective “look”. I do this too, but the truth of […]
January 23, 2014, 11:50 AM
http://www.macrumors.com/2014/01/23/pixelmator-16-...
Pixelmator has updated its image editing software to version 3.1, adding full support for the new Mac Pro, including 16-bit per channel images, full GPU support, and optimizations for the multi-core processors in the new machine.
January 23, 2014, 11:48 AM
http://postperspective.com/2014/01/blackmagic-upda...
Fremont, California — Blackmagic Design has released a new version of its DaVinci Resolve software. V.10.1 adds new editing and 3D stereoscopic features as well as support for Final Cut Pro X 10.1. DaVinci Resolve 10.1 is available now for download free of charge for existing DaVinci Resolve customers from http://www.blackmagicdesign.com. The DaVinci Resolve 10.1 update […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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