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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

MONSTER.COM "Opportunity Roars": Making of

February 16, 2018, 04:23 AM

http://www.artofvfx.com/monster-com-opportunity-ro...

Have a look at this making of by The Mill about their work on this MONSTER.COM commercial...

Intro to 3D VFX: Maya

February 16, 2018, 04:23 AM

http://www.cgmeetup.net/home/intro-to-3d-vfx-maya/

Mark Spevick, our Head of 3D as he takes you on a tour of the 3D VFX short courses at Escape Studios and gives you an overview of Maya, the workhouse of all 3D artists.

VFX Supervisor Stephen Rosenbaum on Kong: Skull Is

February 15, 2018, 08:07 PM

http://www.studiodaily.com/2018/02/vfx-supervisor-...

The Visual Effects Oscar nomination for Kong: Skull Island is senior visual effects supervisor and second unit director Stephen Rosenbaum’s third. He has received two Oscars and two BAFTAs for Avatar and Forrest Gump. The first film Rosenbaum worked on was The Abyss at Industrial Light & Magic. He was a CG artist there for […] The post VFX Supervisor Stephen Rosenbaum on Kong: Skull Island appeared first on Studio Daily.

Happy Valentine's Day VFX Breakdown

February 15, 2018, 10:40 AM

http://www.cgmeetup.net/home/happy-valentines-day-...

VFX breakdown of the award-winning CGI short film “Happy Valentine’s Day” by Neymarc Visuals...

VFX Supervisor Dan Lemmon on War for the Planet of

February 14, 2018, 01:19 PM

http://www.studiodaily.com/2018/02/vfx-supervisor-...

With War for the Planet of the Apes, Dan Lemmon, VFX supervisor at Weta Digital, received his fourth Oscar nomination. Last year, he received an Oscar and a BAFTA award for The Jungle Book. He has also received Oscar and BAFTA nominations for Dawn of the Planet of the Apes and Rise of the Planet of the […] The post VFX Supervisor Dan Lemmon on War for the Planet of the Apes appeared first on Studio Daily.

JUMANJI - WELCOME TO THE JUNGLE: VFX Breakdown

February 14, 2018, 06:26 AM

http://www.artofvfx.com/jumanji-welcome-to-the-jun...

Want to know more about the rhinos sequence in JUMANJI – WELCOME TO THE JUNGLE? Check out this VFX Breakdown by Iloura...

VES Awards 2018

February 14, 2018, 06:25 AM

http://www.indiewire.com/2018/02/ves-awards-visual...

“War for the Planet of the Apes” from Weta Digital could well be on its way to the elusive VFX Oscar after winning four VES trophies Tuesday night at the Beverly Hilton (including the top feature prize). Christopher Nolan’s “Dunkirk” won for supporting VFX, Pixar’s “Coco” earned four awards (including VFX for animation), and “Game of Thrones” took home five awards (including VFX for TV).

Oscar-Nominated VFX Supervisor Christopher Townsen

February 13, 2018, 01:19 PM

http://www.studiodaily.com/2018/02/christopher-tow...

Oscar nominee Christopher Townsend was the overall visual effects supervisor for Marvel’s Guardians of the Galaxy, Vol. 2. This is the second Oscar nomination for Townsend; his first was for the 2013 film Iron Man 3, which resulted in VES and BAFTA nominations for best visual effects, as well. His 13 award nominations also include […] The post Oscar-Nominated VFX Supervisor Christopher Townsend on Guardians of the Galaxy Vol. 2 appeared first on Studio Daily.

Work of Cinema 4D user 'Beeple' on display in Br

February 13, 2018, 10:29 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BROOKLYN, NY — The work of Maxon Cinema 4D user/3D artist Mike Winkelmann, best known in the creative community as Beeple, will be on display at “Crap: A Beeple Retrospective.” Presented by the Made in NY Media Center (http://nymediacenter.com) by IFP gallery in DUMBO, Brooklyn, the show runs February 1st through the 28th.

Kong: Skull Island VFX Breakdown

February 13, 2018, 06:19 AM

http://www.cgmeetup.net/home/kong-skull-island-vfx...

The Rodeo FX team delivered 80 shots for this film. Much of our work can be seen in the film’s opening sequence during a fight between two World War II pilots. We also created numerous matte paintings for multiple locations around the island and its jungle, including a sequence showing pillars that reveal secrets about Kong’s origins when properly aligned.

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