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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FANTASTIC BEASTS: VFX Breakdown by Double Negative

February 13, 2018, 06:19 AM

http://www.artofvfx.com/fantastic-beasts-and-where...

Let’s go back in 2016 with the VFX Breakdown by Double Negative about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM...

RAABTA: VFX Breakdown by Prime Focus

February 10, 2018, 07:27 PM

http://www.artofvfx.com/raabta-vfx-breakdown-by-pr...

Prime Focus have released this VFX Breakdown about their work on RAABTA...

VFX for a Better, Brighter Future in Fox’s The O

February 9, 2018, 01:42 PM

http://www.studiodaily.com/2018/02/vfx-better-brig...

The Orville presents a marked departure from creator Seth McFarlane’s usual fare. While never short on his trademark irreverent humor, this starship-based series set in the 25th century is surprisingly earnest in its presentation of a better and brighter future. The series has also not shied away from difficult contemporary subject matters presented in a sci-fi […] The post VFX for a Better, Brighter Future in Fox’s The Orville appeared first on Studio Daily.

I, TONYA: Juliet Tierney - VFX Producer

February 8, 2018, 11:54 AM

http://www.artofvfx.com/i-tonya-juliet-tierney-vfx...

Juliet Tierney has been working in production since 1996. She has worked for many agencies and studios such as McCann-Erickson, Mother or MPC. She joined Eight VFX in 2016.

Hollywood's Stunt Community is Receiving a Reckoni

February 7, 2018, 10:51 AM

https://filmschoolrejects.com/hollywoods-stunt-com...

If there’s one thing we can learn from the #MeToo movement, it’s that the conventions surrounding supposedly well-oiled machines in every industry need to be questioned. Sexism and various forms of workplace inequality have been happening years before the downfall of Harvey Weinstein shone a long overdue spotlight on Hollywood.

Iloura is now Method Studios

February 7, 2018, 08:09 AM

http://www.artofvfx.com/iloura-is-now-method-studi...

The two studios Iloura and Method Studios have joined their forces to become Method Studios!

The VFX Festival 2018 Title Sequence

February 7, 2018, 08:09 AM

http://www.cgmeetup.net/home/the-vfx-festival-2018...

The VFX Festival 2018 Title Sequence by MPC...

Maya Super shapes and MASH Jiggle

February 7, 2018, 08:09 AM

http://www.cgmeetup.net/home/maya-super-shapes-and...

Phil Radford – PLaying about with supershape animation combined with a MASH juggle deformer.

Technicolor Opens VFX Studio Mill Film in Adelaide

February 6, 2018, 07:04 PM

http://www.studiodaily.com/2018/02/technicolor-ope...

Technicolor announced its newest expansion in the Asia Pacific market with the establishment of Mill Film, a new VFX studio based in Adelaide, Australia. The move coincides with the South Australia Film Corporation offer of a new, un-capped Post Production, Digital and Visual Effects (SA PDV) rebate. Beginning last month, the new SA PDV rebate offers a […] The post Technicolor Opens VFX Studio Mill Film in Adelaide, Australia appeared first on Studio Daily.

Cinesite VFX supervisor Stephane Paris: 860 shots

February 6, 2018, 01:21 PM

http://postperspective.com/cinesite-vfx-supervisor...

By Randi Altman The Commuter once again shows how badass Liam Neeson can be under very stressful circumstances. This time, Neeson plays a mild-mannered commuter named Michael who gets pushed too far by a seemingly benign but not-very-nice Vera Farmiga. For this Jaume Collet-Serra-directed Lionsgate film, Continue reading → February 6, 2018 The post Cinesite VFX supervisor Stephane Paris: 860 shots for The Commuter appeared first on Randi Altman's postPerspective.

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