It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 8, 2014, 10:26 AM
http://www.btlnews.com/crafts/visual-fx/weta-deliv...
It’s been quite the summer for bar-raising in the visual effects arena. Guardians of the Galaxy makes a racoon and a tree convincingly human characters – in space – while the unsung Snowpiercer shows an effectively rendered apocalypse-in-motion on a non-studio budget. Among the seasonal entrants boasting convincing otherworldly visuals, is the latest installment in Fox’s rebooted Planet of the Apes series, Dawn of the Planet of Apes.
August 7, 2014, 03:37 PM
http://news.doddleme.com/blogs/post-production/vis...
When it comes to the visual effects crisis hitting Hollywood, there have been several common sense solutions which some believe can off-set the loss of VFX jobs overseas. But some are of the opinion that altering business practices, merging, and lobbying states for comparable tax credits and subsidies don’t go far enough. And they’re advocating a good ol’ fashioned trade war in order to make it harder for overseas competition.
August 6, 2014, 07:09 PM
http://soundandpicture.com/2014/08/barnfind-return...
Sandefjord, Norway — The Barnfind Team will be at IBC 2014 with numerous new solutions and enhancements to their growing product ranges. The young Company has already achieved sales from leading companies in different Broadcast and Telco areas and is expanding into many adjacent markets such as oil & gas, defense, house of worship etc. In particular, Barnfind delivered orders to top world sports events for motor cycles, race cars and soccer etc. The BarnOne family is now installed in locations...
August 6, 2014, 01:12 PM
http://variety.com/2014/artisans/news/visual-effec...
Sony’s announcement in June that it was moving its Imageworks headquarters to Vancouver delivered yet another blow to Los Angeles as it struggles to retain the nuts and bolts of production while other states and nations offer lavish sweeteners.
August 5, 2014, 07:36 AM
http://www.3dvf.com/actualite-10356-the-foundry-en...
The Foundry tells us that his presentations, announcements and demonstrations of SIGGRAPH 2014 will be relayed live on the internet. The event, free but registration will be offered Wednesday, August 13 from 10 am local time, 19h for France and will end around 23:30 (French time). Here is the list of speakers: - Kris Pearn, director Storm Giant Meatballs 2 Sony Pictures Animation (FLIX) - Aaron Limonick, Concept Artist, Naughty Dog (MODO)...
August 4, 2014, 02:05 PM
http://www.btlnews.com/crafts/visual-fx/encore-vfx...
Hollywood-based Encore VFX recently helped create a fictional Middle Eastern country for FX’s new drama Tyrant, produced by Fox 21. The series called for exotic set extensions, extravagant CG palaces and city skylines, subtle environmental work and crowd duplication.
August 4, 2014, 09:50 AM
http://variety.com/2014/film/news/japans-studio-gh...
TOKYO — Veteran Studio Ghibli producer Toshio Suzuki discussed the famed animation house’s future in a documentary broadcast by the TBS network on its “Jonetsu Tairiku” program on Sunday evening.
July 31, 2014, 08:49 PM
http://news.creativecow.net/story/876560
(Hollywood, California--July 31, 2014) “Tyrant,” FX’s new drama produced by Fox 21, tells the story of an unassuming American family drawn into the inner workings of a turbulent Middle Eastern nation, a fictional country Encore VFX helped realize through exotic set extensions, extravagant CG palaces and city skylines, subtle environmental work and crowd duplication.
July 31, 2014, 08:49 PM
http://variety.com/2014/artisans/news/stereo-d-shr...
Burbank-based visual effects specialist Stereo D is planning to shrink its California employee base as part of its upcoming move to open a Toronto office.
July 31, 2014, 03:58 PM
http://www.btlnews.com/crafts/visual-fx/splice-hir...
Minneapolis-based creative studio Splice has hired visual effects artist Patricio Fernandez. His credits include such feature films as Wrath of the Titans, Terminator: Salvation, Iron Man 3 and Captain America: The First Avenger.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.