It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 31, 2014, 03:58 PM
http://www.btlnews.com/crafts/visual-fx/asylum-rel...
Burbank-based VFX facility The Asylum contributed extensive visuals for Sharknado 2: The Second One, which premiered yesterday on the Syfy Network.
July 30, 2014, 05:04 PM
http://postperspective.com/vfx-artist-patricio-fer...
Splice in Minneapolis has expanded its visual effects department with the addition of VFX artist Patricio Fernandez, who has worked on such feature films as Wrath of the Titans, Terminator: Salvation, Iron Man 3 and Captain America: The First Avenger. Fernandez expands the visual effects capacity of Splice as the company continues to grow its feature […]The post VFX artist Patricio Fernandez joins Splice appeared first on postPerspective - Randi Altman's postPerspective.
July 30, 2014, 12:32 PM
http://www.awn.com/news/arsenal-fx-names-kira-karl...
Santa Monica, CA -- Arsenal FX, a leading Visual Effects Post Production studio specializing in high-end commercial finishing, has appointed Kira Karlstrom as Business Development Executive. Previously, she was a Manager in the Live Events Division at Marvel Entertainment.
July 30, 2014, 04:46 AM
http://www.cgw.com/Press-Center/News/2014/Milk-Spi...
LONDON – Independent London VFX house Milk is creating the visual effects for Fox’s TV action-thriller “24: Live Another Day , ” part of its expanding roster of TV and feature projects, as it celebrates its debut year in business.
July 29, 2014, 09:50 AM
http://www.btlnews.com/crafts/visual-fx/rodeo-fx-d...
Montreal-based VFX studio Rodeo FX completed more than 160 visual effects shots for Luc Besson's new thriller Lucy. This was the company's first collaboration with the French writer/director, who is behind some of the toughest, most memorable female action heroes in cinematic history (La femme Nikita, The 5th Element).
July 25, 2014, 09:41 AM
http://www.btlnews.com/crafts/visual-fx/brickyard-...
Santa Monica-based boutique visual effects, animation and digital production studio Brickyard VFX was recently tapped by 180LA for a new two-spot campaign featuring NBA star Anthony Davis of the New Orleans Pelicans for Boost Mobile. The two :30 spots, "Class" and "Sushi," are now running online throughout the summer to promote the new Samsung Galaxy S5 with unlimited data from Boost Mobile.
July 25, 2014, 09:41 AM
http://www.btlnews.com/crafts/camera/bluescreen-ll...
Los Angeles-based BlueScreen LLC specializes in live, on-set blue/greenscreen compositing and multi-cam productions for high-profile gaming companies and studios such as EA, Disney, Warner Bros. and Viacom. A core component of BlueScreen’s business involves live blue/greenscreen compositing for press events prior to the launch of major films, and for this niche market, the company has established a specialized setup comprising high-end cameras and Ultimatte hardware, combined with AJA’s ...
July 24, 2014, 04:27 PM
http://news.creativecow.net/story/876473
(Santa Monica, California--July 24, 2014) Boutique visual effects, animation and digital production studio Brickyard VFX was recently tapped by 180LA for a new two-spot campaign featuring NBA star Anthony Davis of the New Orleans Pelicans for Boost Mobile, a leading no-contract cellphone service provider.
July 22, 2014, 04:40 AM
http://www.cartoonbrew.com/business/ex-digital-dom...
The actions of scummy venture capitalist John Textor, the disgraced former CEO of Digital Domain, are finally under investigation by the state of Florida. Textor, as you may recall from our coverage a few years back, was the ringleader of a fiasco that ruined hundreds of lives, scammed Florida citizens out of $130 million dollars, and tried to force animation students into illegal labor arrangements.
July 21, 2014, 12:26 PM
http://www.deadline.com/2014/07/origin-digital-stu...
Visual effects house Origin Digital Studios is opening for business in Burbank, even as VFX companies increasingly flee Los Angeles for more enticingly incentivized cities. The new mid-sized indie studio is backed by Miami-based Lincoln Road Advisors and already has a key strategic partnership in place, with Origin HQ operating out of a Fotokem facility in Burbank and its NY outpost fiber-connected to Fotokem’s network.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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