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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Visual Effects Society names 2018 VES Fellows

September 27, 2018, 06:28 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — The Visual Effects Society (www.visualeffectssociety.com) has announced the 2018 class of VES Fellows. The Fellows distinction, bestowed by the VES Board of Directors, signifies that the individual has maintained an outstanding reputation and has made exceptional achievements and sustained contributions to the art, science or business of visual effects. They have also enabled members’ careers and promoted community worldwide.    

Andrew Morley Named Head of VFX at Outpost VFX

September 24, 2018, 12:46 PM

https://www.awn.com/news/andrew-morley-named-head-...

BOURNEMOUTH, U.K. -- Outpost VFX has announced that Andrew Morley – the renowned visual effects supervisor known for Avengers: Infinity War and Fantastic Beasts and Where to Find Them – has joined the studio as head of VFX. With a decade of experience supervising major motion pictures, Morley will work with all artists at Outpost VFX’s 80-seat facility in Bournemouth to ensure that the team continues to deliver outstanding visual effects and, equally, an outstanding level of service for cl...

Andrew Morley named head of VFX at Outpost

September 21, 2018, 09:27 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BOURNEMOUTH, UK — Visual effects supervisor Andrew Morley, known for his contributions to Avengers: Infinity War and  Fantastic Beasts and Where to Find Them, is set to join Outpost VFX as the studio’s head of VFX. He will work with all artists at Outpost VFX’s 80-seat facility in Bournemouth.

MPC helps FX tease new AHS season

September 14, 2018, 09:09 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — MPC (moving-picture.com), which has collaborated with FX on content for the shows Atlanta, Snowfall and Legion, recently teamed up with the network to create a teaser campaign leading up the launch of American Horror Story: Apocalypse.

Cinesite breaks down VFX work on Avengers: Infinit

August 29, 2018, 12:37 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — Cinesite London (www.cinesite.com) delivered 215 VFX shots for Avengers: Infinity War, Marvel Studios’ record-breaking blockbuster. Led by VFX supervisor Andrew Morley, the London-based studio was responsible for delivering some of the film’s most thematically important and technically difficult CG shots and characters, including Ebony Maw’s torture of Doctor Strange, the Iron Spider suit and the Avengers’ first encounter with the Guardians.

VES Announces Special 2018 Honorees

August 15, 2018, 04:26 PM

https://www.awn.com/news/visual-effects-society-an...

VES Hall of Fame honorees include L.B. Abbott, Richard “Doc” Baily, Saul Bass, Ray Harryhausen, Derek Meddings, Eileen Moran and Gene Roddenberry.

Foundry to Showcase Industry Excellence at SIGGRAP

August 5, 2018, 09:22 AM

https://www.awn.com/news/foundry-showcase-industry...

LONDON -- Creative software developer Foundry has unveiled its plans for SIGGRAPH 2018, where its industry-leading software will be showcased alongside presentations from some of the most talented names in the VFX and animation industry. Foundry’s exhibitor sessions will include a demonstration of Athera, the innovative cloud-based technology for VFX artists, while its hotly-anticipated All Stars event offers a star-studded line-up on the copmany’s return to SIGGRAPH.

VIEW Conference 2018: the VFX speakers

August 3, 2018, 05:57 AM

http://www.artofvfx.com/view-conference-2018-the-v...

For the 6th years in a row, The Art of VFX is proud to be media partner of VIEW Conference!

SIGGRAPH 2018 VR/AR/MR Chair Pol Jeremias on the N

August 2, 2018, 12:36 PM

http://www.studiodaily.com/2018/08/siggraph-2018-v...

SIGGRAPH 2018 will feature a new destination for AR and VR experiences — the Immersive Pavilion. Offering an expanded experiential content program in one large space, the Immersive Pavilion will be “a prime location” for attendees interested in immersive technology, SIGGRAPH 2018 Chair of Virtual, Augmented and Mixed Reality Pol Jeremias told StudioDaily. “We created […] The post SIGGRAPH 2018 VR/AR/MR Chair Pol Jeremias on the New Immersive Pavilion appeared first on Studio Daily.

RSP completes VFX for Animal World

July 31, 2018, 05:30 PM

http://www.postmagazine.com/Press-Center/Daily-New...

ADELAIDE, SOUTH AUSTRALIA — In a project spanning six months, Rising Sun Pictures (rsp.com.au) produced 86 visual effects shots for Animal World, a new fantasy adventure film that debuted at this year’s Shanghai International Film Festival. The film is currently in international release. The work drew on the full gamut of the studio’s core strengths and included everything from a card-playing creature to a loopy dream sequence, a mind-blowing car chase and a moody hero shot of Destiny...

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