It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 22, 2018, 05:50 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SAN RAFAEL, CA — Autodesk 3ds Max 2019.2 focuses on further improving fluids while adding data channel support for Autodesk Arnold, the ability to load multiple simulations simultaneously, and the ability to process specific parts of a simulation.
September 21, 2018, 09:27 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BOURNEMOUTH, UK — Visual effects supervisor Andrew Morley, known for his contributions to Avengers: Infinity War and Fantastic Beasts and Where to Find Them, is set to join Outpost VFX as the studio’s head of VFX. He will work with all artists at Outpost VFX’s 80-seat facility in Bournemouth.
September 19, 2018, 09:28 AM
https://deadline.com/2018/09/beyond-white-space-mo...
ertical Entertainment has acquired Beyond White Space, directed by Ken Locsmandi whose VFX career includes Fight Club and The Matrix.
September 14, 2018, 09:09 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — MPC (moving-picture.com), which has collaborated with FX on content for the shows Atlanta, Snowfall and Legion, recently teamed up with the network to create a teaser campaign leading up the launch of American Horror Story: Apocalypse.
September 13, 2018, 05:38 AM
http://www.cgchannel.com/2018/09/foundry-ships-mar...
Long-awaited new mirrored projection system lets users paint symmetrically on any model: no need for a specialised UV layout.
September 13, 2018, 05:38 AM
http://www.cgchannel.com/2018/09/adobe-unveils-fal...
Adobe has announced the new features coming up in its next update to After Effects, including depth passes for native 3D layers, updates to the Puppet Tool, a new expressions system, and a GPU-based Mocha plugin.
September 11, 2018, 09:37 AM
http://www.postmagazine.com/Press-Center/Daily-New...
MONTREAL — Visual effect studio Real by Fake, (C.R.A.Z.Y., Café de Flore, Dallas Buyers Club, Wild, and Demolition) are set to acquire the Santa Monica-based studio, Local Hero, whose credits include Mr. Robot, Captain Fantastic and Pitch Perfect. The two companies recently collaborated on post production and VFX for HBO’s hit limited series Big Little Lies and Sharp Objects. The strategic acquisition creates an end-to-end, international post production and VF...
September 5, 2018, 02:44 AM
https://www.awn.com/news/londons-golden-wolf-sets-...
NEW YORK & LONDON -- Award-winning animation studio Golden Wolf, headquartered in London, has announced the launch of its first stateside location in New York City. The expansion comes on the heels of an exciting year for the studio, which in May aligned with renowned animation/VFX/live-action studio Psyop, a minority investor in the company.
August 29, 2018, 12:37 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Cinesite London (www.cinesite.com) delivered 215 VFX shots for Avengers: Infinity War, Marvel Studios’ record-breaking blockbuster. Led by VFX supervisor Andrew Morley, the London-based studio was responsible for delivering some of the film’s most thematically important and technically difficult CG shots and characters, including Ebony Maw’s torture of Doctor Strange, the Iron Spider suit and the Avengers’ first encounter with the Guardians.
August 29, 2018, 12:36 PM
https://variety.com/2018/film/news/walking-dead-gr...
Greg Nicotero, director and effects specialist for "The Walking Dead," has come on board to create the design for Todd McFarlane’s “Spawn”
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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