It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 22, 2020, 04:05 PM
https://lesterbanks.com/2020/02/maya-pivot-tricks-...
Stephen Mann covers altering Maya’s Pivot and runs through some pivot tricks showing what’s happening under the hood. One handy thing to do when working in Maya is moving around the pivot. It’s helpful in
February 22, 2020, 04:05 PM
https://lesterbanks.com/2020/02/how-to-illuminate-...
Clayton Walker shows how you can illuminate the sky in After Effects using 3D layers and lights. Adding little details to a composite makes a huge difference. As an example, having the sky light up
February 22, 2020, 04:04 PM
https://www.pro-tools-expert.com/home-page/2020/02...
Pro Tools Automation Is incredibly powerful but it can be frustrating. In this Premium Tutorial Julian Rodgers demonstrates one way Trim Automation can help you concentrate on the detail while still being able to look after the big picture.
February 22, 2020, 04:03 PM
https://www.provideocoalition.com/working_with_sap...
f someone asks you what your favorite effect is, what would you say? I always have the same answer. S_Glow from Boris Sapphire. For me, the effects in their lighting bundle are second to none, and S_LensFlare ranks right up there with S_Glow as probably my favorite effects in that category.
February 20, 2020, 02:35 PM
https://lesterbanks.com/2020/02/how-to-create-dyna...
You And Me Academy shows how to make dynamic streaks and Brushes in Cinema 4D. When it comes to animating lines, brush strokes, and paths, there are a lot of workflow choices. You can easily
February 20, 2020, 02:35 PM
https://www.pro-tools-expert.com/home-page/2020/2/...
In this video from NAMM 2020, Avid’s application specialist, Jeff Komar takes an in-depth look at working on music projects with Dolby Atmos natively, in Pro Tools, with the power of HDX, Avid S4, and MTRX.
February 20, 2020, 02:35 PM
https://lesterbanks.com/2020/02/create-an-audio-vi...
CGMatter runs through how to create an audio visualizer with Blender, where objects auto-react to sound. In a record pace, CGMatter covers creating an audio visualizer (of sorts) using Blender. The system will raise and
February 19, 2020, 01:33 PM
https://lesterbanks.com/2020/02/how-to-recreate-mo...
Blue Fox Creation shows how to recreate a mograph toolset Formular Effector in Blender using Animation Nodes One of the things that Maxon has championed with Cinema 4D is the Mograph toolset. It’s so popular
February 18, 2020, 02:11 PM
https://lesterbanks.com/2020/02/check-out-the-new-...
3DC’s Cutoff Tool now has a Soft Boolean Option in Version 4.9. One new feature in 3D Coat 4.9 is the addition of a new Soft Boolean option when working with the cutoff tool. The Sculpt room’s
February 17, 2020, 08:48 PM
https://www.provideocoalition.com/after-effects-cl...
Navigating the video format landscape has long been a major headache for all desktop motion graphics users: there are several different standard and high definition (SD and HD) formats, with issues relating to pixel aspect ratio and frame rates. And then there’s moving between high and standard definition delivery: Although hi-def has been with us for many years now, there are still legacy installations of standard definition signal distribution and even TV sets in many hotels and other establ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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