It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 16, 2020, 02:00 PM
https://www.youtube.com/watch?v=VOo_jDlvRJc
Creating a blur that varies in intensity is not super easy or intuitive. This tutorial will show you an easy way to rig up the camera lens blur or compound blur to easily create a controllable variable blur rig. Also, be sure to go check out Element Supply Co. http://elementsupply.co If you need CC, Get Adobe Creative Cloud: http://cinemaspice.net/adobe-creative-cloud/ to help support this channel. Don't forget to share this video. You never know who among your friends is...
January 15, 2020, 02:08 PM
https://www.provideocoalition.com/animating-photos...
Last Fall the good folks at motionvfx.com released mPuppet, a mesh warp plugin for Final Cut Pro X and Motion. At that time I was on the road in Brooklyn and I did a fun and rather silly demo (which you can see here). I wanted to do a follow-up, both to show a more serious application of this very useful tool and to explain the additional things you can do when using mPuppet in Motion instead of Final Cut Pro X: specifically, access to keyframe interpolation and the ability to work in 3D space.
January 11, 2020, 07:06 PM
https://lesterbanks.com/2020/01/how-to-create-a-cu...
Jonas Pilz shows how to make a curl noise effect in Cinema 4D with particles and field forces. Curl Noise, while rooted in math, is incredibly artistic. It’s one of those visually distinctive effects that
January 10, 2020, 02:16 PM
https://lesterbanks.com/2020/01/how-to-create-grid...
Evan Abrams shows how you can create animated grids using Shape Layer Repeaters in After Effects. Tere are a lot of ways that you can create and animate grids in After Effects. There is even
January 10, 2020, 02:14 PM
https://www.provideocoalition.com/after-effects-pe...
When you install After Effects, Adobe also installs a separate program that can vastly improve productivity. You already have it. It’s there on your hard drive, right next to the main After Effects program. Even if you already know about it, there’s a good chance you’re not using it. It’s a standalone After Effects rendering engine, usually called AErender, and if we think of it as part of After Effects then I don’t know of any other feature with more potential to improve productivity.
January 10, 2020, 02:14 PM
https://fxfactory.com/blog/effects-2/animated-badg...
25 fully customizable, beautifully animated badges with built-in motion tracking.
January 10, 2020, 02:13 PM
https://lesterbanks.com/2020/01/learn-how-to-creat...
MaxDepth’s new course shows how to create tools to help make curve animation and motion paths in Maya. Find yourself animating characters that fly slither and grow along a spline? Then you should create some
January 9, 2020, 01:44 PM
https://lesterbanks.com/2020/01/how-to-create-a-3d...
Jason Boone shows how to create and animate a 3D map marker in After Effects. Jason Boone has a tutorial series called Monday Maps, where he shows how to make useful map elements in After Effects
January 8, 2020, 02:16 PM
https://www.pro-tools-expert.com/home-page/2019/12...
It’s obvious once you know but a common mistake made by users of other DAWs when getting to know Pro Tools is to look for a dedicated sample editor as found in many other DAWs.
January 7, 2020, 02:10 PM
https://lesterbanks.com/2020/01/how-to-create-a-cl...
Will MacNeil shows that working with the Copy to Points SOP in Houdini is akin to C4D’s Cloner. Will MacNeil is a design director at the Mill in London. Lately, he is showing how to
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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