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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Working With Dynamic Constraints in Maya

August 2, 2018, 12:36 PM

https://lesterbanks.com/2018/08/dynamic-constraint...

Maximilian Schönherr Covers Working With nCloth and Dynamic Constraints in Maya. Maya has both animation constraints and dynamic ones. Although the premise for each is similar, they are for different purposes. Watch this short tutorial

Do you use a compressor or limiter?

August 2, 2018, 12:35 PM

https://www.pro-tools-expert.com/home-page/2018/07...

In this extract from PureMix, Grammy award-winning mixer Andrew Scheps explains the difference between using an insert compressor, a parallel compressor and a limiter on a fuzz bass guitar track.

Cosmos for Maya Updates With New Ways to Filter Re

August 2, 2018, 09:53 AM

https://lesterbanks.com/2018/08/cosmos-maya-update...

Martin Gunnarsson Releases a New Version of Cosmos Command Launcher for Autodesk Maya. Cosmos is a way to have complete access to and launch all of Maya’s commands by typing. Think of it as a

The Best of C4D R20 Sneak Peeks

August 2, 2018, 06:32 AM

https://lesterbanks.com/2018/08/best-c4d-r20-sneak...

Maxon Announces Cinema 4D R20 With Node-Based Materials, MoGraph Fields, and Multi-Pass GPU Renders. Maxon announced Cinema 4D R20 that boasts some significant new features, and the internet responds with early adopters showing off some

5 Ways to Process Multi Track mix Protools

August 2, 2018, 06:31 AM

https://www.pro-tools-expert.com/home-page/2018/7/...

In this premium video tutorial, we show you five techniques that you can use to focus and process your close mic tom tracks in live multitrack drum recordings in Pro Tools.

How to Shatter Objects Procedurally With Blender

August 1, 2018, 02:40 PM

https://lesterbanks.com/2018/08/shatter-objects-pr...

Alexander Court Shows How to Shatter Objects in Blender Using the Explode Modifier. Tools to Shatter Objects typically fall under procedural generators such as Voronoi. With Blender, you can use the Explode Modifier to shatter

3 Quick Tips for Speeding Up Nuke Node Workflow

August 1, 2018, 09:20 AM

https://lesterbanks.com/2018/08/3-tips-nuke-node-w...

Lars Wemmje Shares 3 Tips for a Quicker Node Workflow in Nuke. Pushing the nodes vs. layers debate aside, both can get unruly while working on larger projects. If you are working with The Foundry’s

Working With Cryptomatte in Redshift C4D and Fusio

August 1, 2018, 09:19 AM

https://lesterbanks.com/2018/08/cryptomatte-redshi...

Liam Clisham Shows How to Create and Work With Object Passes With Cryptomatte Using C4D, Fusion and After Effects. Are you working with Object IDs and Compositing? Cryptomatte is a life saver when it comes

4 Awesome Ways To Use Masking In Premiere Pro

July 31, 2018, 03:43 PM

https://motionarray.com/tutorials/premiere-pro-tut...

In this tutorial we explore how make the most out of your footage with the power of masking. We go over 4 different ways to use masking to increase the quality fo your video. From controlling sections of color and lighting to making objects completely disappear, there are countless ways to use this tool to your advantage. So let's open up Premiere Pro and take a look together!

#premiere pro#masking#tutorial#video editing#motion array#premiere pro tips#premiere pro tutorial#3d text#make objects disappear#how to mask
Avid Pro Tools 2018 — Relative Grid

July 31, 2018, 12:15 PM

https://www.youtube.com/watch?v=aNfgJZGo9SA

Avid Application Specialist, Greg Chin looks at improvements to the relative grid workflow. Maintain the perfectly imperfect feel of your performance when copying, cutting, and pasting audio and MIDI clips and note selections in Relative Grid mode. See what’s new http://www.avid.com/pro-tools/whats-new

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