It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 1, 2018, 06:05 AM
https://www.aotg.com/adobe-premiere-pro-cc-new-features-color-match/
Adobe introduced a number of new features in the April, 2018, update to Premiere. In this week’s webinar, we’ll take a look at them, plus take a short side trip into some of the key new features in Audition.
May 1, 2018, 06:05 AM
https://www.aotg.com/adobe-audition-new-features-larry-jordan-poweru/
Adobe introduced a number of new features in the April, 2018, update to Premiere. In this week’s webinar, we’ll take a look at them, plus take a short side trip into some of the key new features in Audition.
April 28, 2018, 09:51 AM
https://www.pro-tools-expert.com/home-page/2018/4/...
Reverb is an essential effect in our plug-in arsenal. Reverb adds depth and space to tracks in a mix, without it we would all be a bit lost. The bread and butter approach we all use when mixing Reverb in Pro Tools is to load an instance of a reverb plug-in on a stereo auxiliary track and use buses to apply varying amounts of the effect to tracks in the mix. But how else can we harness the power of reverb in Pro Tools?
April 27, 2018, 06:08 AM
https://www.creativebloq.com/news/master-adobes-cr...
Make the most of Photoshop, Lightroom, and more with these 8 expert-taught courses.
April 25, 2018, 12:25 PM
https://lesterbanks.com/2018/04/basics-working-mas...
Damon Lavenski Offers a Beginner’s Introduction to Working With MASH in Maya. If you are new to Autodesk Maya and MASH, you might find it difficult to know where to begin. What better way to
April 25, 2018, 12:25 PM
https://www.pro-tools-expert.com/home-page/2018/1/...
In this free video tutorial, brought to you with the support of Waves, you will learn how to add attitude to your vocal tracks using the delay effects section in Waves Kramer Master Tape Plug-in. Back in 2011 when Waves released Kramer Tape I thought this was one of the best sounding tape emulations around. Waves included an additional delay section (not found on the original hardware) that over the years has become a valuable effect in my vocal plug-in chain when I work on rockabilly, country a...
April 25, 2018, 09:17 AM
https://lesterbanks.com/2018/04/mastering-master-p...
Joe Clay Shows How to Use a Single Composition of Elements and Master Properties to Generate More Complex Imagery. Master Properties is probably one of the best of the workflow-driven features added to Ae in
April 25, 2018, 09:17 AM
https://lesterbanks.com/2018/04/get-started-textur...
Flipped Normals Covers Everything You Need to Know to Get Started Texturing With Mari 4. The dynamic duo of Henning Sanden and Morten Jaeger gush a bit about the Foundry MARI and demonstrate everything that
April 25, 2018, 09:17 AM
https://www.toolfarm.com/blog/entry/tutorial_after...
Andrew Kramer from Video Copilot is back with Chapter 2 of his Cinematic Title Design series. This time it is Damage and Decay FX. Learn how to create a procedural decay system capable of generating realistic rust, moss, cracks, corrosion and more, right inside After Effects.
April 24, 2018, 12:42 PM
https://lesterbanks.com/2018/04/combinationshape-m...
Chris Lesage Shows How You Can use Maya’s combinationShape Node as MIN MAX Nodes. Maya’s Shape Editor introduced back in version 2016.5 offered a brand-new workflow for blend shapes with access to ease targets, and
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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